Observe the extreme self-control with which I refrain from making some sort of lame subject-line pun about pilgrimage, or something. Although it was: I've been looking forward to Scott Pilgrim for months, on account of (a) hopeless Brian Lee O'Malley fangirling, (b) hopeless Edgar Wright fangirling, and (c) general nerdy indy-music video-game fangirling.
So, first off: wheee! I am somewhat thoroughly immersed in the comic books, having read the whole series three times since August, when I bought them in a bizarre and distributed acquisition spree across two airports, three bookshops and the length, lingth and longth of Britain. I <3 Edgar Wright. The mood, tone and feel of the film is pitch-perfect; it's almost impeccably cast, cleverly scripted, and the editing and cinematography are always competent and occasionally bloody marvellous. It's in spirit and very largely in plot an extremely faithful adaptation, with whole chunks of dialogue and framing of shots stolen wholesale from the comics. It made me giggle with unseemly glee rather often. (Particularly, for some reason, in the first Sex Bob-Omb song. I don't know if it was simply the dreadful Canal Walk sound, but the whole thing came across with the absolutely perfect incoherent repetitive garage-band distort. It made me very happy.)
( Here be spoilers or whatever. For both film and comics. )
Quibbling aside, however, I loved this movie - I loved its speed, its ability to mimic the comics in a narrative construction which is all about inconsequential juxapositions, its faithful visual renditions not only of characters but of all the video-game nods and elements. I loved the over-the-top framing of the fight choreography and the way that the film didn't fulfil my fear that they'd disrupt its central fantasy conceit, that Scott Pilgrim can kick anyone's butt. (So many contemporary fantasy films bog down in "The Hero Acquires His Skills". It's trite. The comics make me very happy in their complete refusal to examine how it is that Scott does what he does). I loved the music. The music made me nostalgic for my days in a garage band, and I've never even been in a garage band.
This is one for the DVD collection. I shall happily re-watch it whenever I want to break out my delusion that Hollywood can make movies which are sensitive to their source material, and are able to embody the happy, essentially innocent fantasy of a world in which the extra geeky dimensions are unquestioned and joyously real. Or whatever.