a thousand words

Wednesday, 21 November 2018 11:14 am
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I appear to be nesting. I had another outbreak of internet art acquisition, and upon arrival of the spoils carted them off to the nice framer man (he's a closet sf geek and gets terribly excited about some of my artwork choices) and had them properly framed. (And may I add, ye gods and little fishes, international customs duty has skyrocketed this year. The two Dappermouth prints cost more to import than they did to buy and ship). My home is now Decorated, or at any rate more decorated than it used to be (it was always pretty decorated, I am incapable of resisting good internet art when I stumble over it, and also have an almost inexhaustible supply of fangirly enthusiasm for highly representable media. Apparently one of the upshots of loving things very hard when you love them, is art.)

Art Outbreak 1: replacing the big green owl pic which hangs over my bed. I had this up for several years, and then the little hooky thing on the picture rail had an attack of ennui and allowed itself to slip gracefully onto the fainting couch, causing an enormous splintering 2am crash a foot from my head, and incidentally completely trashing the print with broken glass splinters. Cussedly, I ordered an identical replacement. I have retired the fainting hook and found one of stronger mettle. Or metal. My wol is back, and I hope he stays there.



He is a beautiful, calm, dream-thing in the same dark green as my bedroom decor, and I love him. He's by an amazing California-based artist called Waelad Akedan, who I found on Society6; she does phenomenally rich and dreamy animals with, I think, Indian visual influences. I'm weirdly happy to have paid for this twice.

Art Outbreak 2: further to the dream animals, the moody, atmospheric art of Dappermouth, the Tumblr handle of artist Jenna Barton. I darkly suspect my recent Teen Wolf fixation may have had something to do with the wolf one, but mostly I love these for the way they feel both haunting and haunted.



Omens and Mirage. I meant these for my study, but have ended up putting them in the living room where I see them more often. I love the way the wolf floats, and the cats disintegrate.

Art Outbreak 3: it wouldn't be me if there weren't videogames. These are now in the dining room, they're from something called Pixelnoise Studios, and they aren't joined by the Skyrim and Zelda ones only because I managed to prod my self-control out from under its rock and cuddle it until it co-operated. (These are the images from the shop, my frames are plain glossy black, and frankly look better).



I should add for posterity that I am currently re-playing Andromeda. Unpopular opinion: it's a good game. Slightly more millenial than the darker-edged original trilogy, and prone to the same problem which we run into running LARPs for the current generation, viz. they tend to lack the conviction for proper villainy, but beautifully made and thoroughly enjoyable even trending to the pastel.
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Blissfully rainy and cold for the last couple of days, my garden is all happy and full of rain-washed leaves. It makes the Skyrim replay less urgent, I don't have quite the same desperate need to deny the globally warmed African temperatures by frolicking through snowy landscapes, but I'm right at the end of two major quest lines I haven't played before, so have had additional reasons to plunge straight back into gaming when I get home.

This is the replay where, in fairly uncharacteristic denial of my usual Lawful Good hard-wiring, I am playing through the Thieves Guild and Dark Brotherhood quest lines. Thieves Guild is, obviously, about wholesale nicking stuff, and also restoring a crumbling guild to its former glory days; the Dark Brotherhood is an assassin's guild, with a particularly nasty Daedric godling at the heart of it. (The Daedric lords in Elder Scrolls games are potentially very nasty indeed, and I tend to avoid all but a handful of the nicer ones like the murder-ridden pits of extra-dimensional perversion they are). And part of my vague yen to get all anti-establishment up in here is, I think, because the world in general and my academic corner of it in particular are making me despair of systems in general, and wish to bestow on them a hearty Up Yours, at least in an abstract and virtual sense.

But the other reason I've managed to go beyond my usual point of initial "nope" in these quest lines is, weirdly enough, role-playing, because this time round I'm playing a Khajit. These are the cat-people race of the Elder Scrolls world, humanoid, furry, rather lovely tigerish faces. My current iteration has caracal ears, which are my favourite feline ears of all time. Khajit have good bonuses for thievery and sneaking, but mostly Khajit identity is enabling my non-lawful activity by dint of the fact that Skyrim is beautifully constructed as a parochial, insular little snowfield full of patriotic Nordic types who distrust and exclude outsiders, and random NPC samplings of whom have some choicely racist things to say on the subject of cat-people. You start the game narrowly escaping random execution for being in the wrong place at the wrong time, and I emerged from the starting sequence in a fine frame of seething indignation towards Nords, the Empire and random discrimination which made it comparatively easy to decide, right, you bastards, you owe me everything you have. Also, you tried to kill me, so I'll kill you right back.

It's surprisingly freeing. I don't think I'll drift in any wholesale way towards this kind of anti-establishment gameplay as a general rule, it's really quite alien to me, but at this particular moment, and given the more dysfunctional kinks of my personality, it's probably weirdly healthy. I am, at base, incredibly bad at anger. I find it very difficult to direct it against the world; I will turn it, nine times out of ten, against myself, into generalised self-loathing. As I burgle yet another snooty Nordic home with vindictive satisfaction, somewhere, without knowing why, my ex-therapist is spontaneously punching the air.

too damned hot

Wednesday, 24 October 2018 07:30 am
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Cape Town is having a January heatwave, which I resent somewhat given that it's October. This week has been temperatures in the high 30s, which the weather site assures me is ten degrees higher than the average for this time of year, so thanks, global warming and climate change. I have been sleeping in a mosquito net in sheer self defence. (That is, in a mosquito net and nothing else. The cats appear to be enjoying the additional skin contact, which is hardly helping the problem). The unseasonable temperatures are also stressing my garden-watering schedule something 'orrible, the pots dry out in a day rather than the usual two or three, and as a lone lorne single person I am simply not generating enough grey water to compensate. At this point longer showers may be a moral necessity. (Moral if you're a druid, at any rate. For the purposes of this exercise please assume I'm a druid. The indecent burgeoning of the inhabitants of my container garden over the last few weeks under the aforementioned sunlight suggests that it's not too much of a stretch).

The installation of actual curtain rails in my front windows has been a small but measurable point of mitigation of all this nasty cheap imitation sunshine stuff. (As opposed to real weather, which has clouds and rain in it). Actual curtains rather than those ridiculous blinds noticeably drop the temperatures when you close them to exclude the afternoon sun, which otherwise streams in uninterrupted and with worrying ferocity. My slightly cheap and stop-gap curtains are a pleasing sea-green in colour, rendering my study agreeably underwatery to an extent which is itself cooling to the soul.

I am, needless to say, also retreating into my usual heat-wave remedy, which is to obsessively re-play Skyrim, because snowy landscapes. It is a possibly worrying index of my current state of work-hatred and general misanthropy that I am, in this playthrough, playing dead against my usual type, and following both the Thieves' Guild and Dark Brotherhood quest lines. I could react against current global moral meltdown by being particularly noble and upright, or I could, apparently, decide that there's no point and in any case I am out of fucks to give. Murder, mayhem and plunder, yay. Why the hell not, everyone else is.

I do, however, shudder to think what actual January is going to give us in the way of temperatures if this is October. Move over, Death Valley. 50s here we come.
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Oh, dear, fatigue crash. For the last week or so I have been doing that thing where I assume the horizontal position, drained and useless, at 9pm, and wake up at 6am regardless of alarm-clock contributions, with that slightly time-warped feeling as though I'm about to fall into bed after a heavy day. Possibly one involving simultaneous marathon running, tricky technical writing and fending off an alien invasion, after which I've stayed up all night juggling ferrets.

This random and intermittent lassitude is, regrettably, a feature of chronic fatigue; sometimes I just gets tired. No particular trigger (Mondays or a glass of wine the night before are sometimes influential, but to no discernible pattern, I may have to give both up just in case), and nothing I can do except wait it out while doing not much. Symptoms include noun loss, distraction and that weird thing where I get two steps up a staircase and have to stop for a bit to contemplate the essential impossibility of continuing.

This is heartily dull, but it will pass. Normally I retreat into video gaming, but I am jonesing for first-person sword-and-sorcery rpgishness and have played the Elder Scrolls and Amalur into the ground to the point where another replay is boring even in my current state of brain-deadness. Same prob with Bioware. I need a new game, stat. Taking recommendations.

SPACE TERMITES!

Tuesday, 11 September 2018 02:03 pm
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Over the last few years stv&jo have variously participated in a sort of bloody-mindedly perverse version of Ludum Dare, which is a game jam, a themed, annual competition to design a video game in 48 hours. While stv and his cohorts have in the past actually programmed a game, some combination of jo&stv have at various points also run a personalised version where they design a board game or RPG to the specified theme, and within the specified time. This is, in fact, how jo and I came, back in 2013, to invent Space Amnesia, which was a LARP which messed with the theme for that year ("10 seconds") to play with the idea of an amnesiac spaceship crew receiving their memories back in short, if not quite 10-second, bursts. We never quite perfected the LARP, but it had a couple of rather entertaining test plays.

This year's August Ludum Dare had the theme of "running out of space", and jo&stv and I and their friend Sara ended up trying the board game version this last weekend, delayed from the actual August date by the fell descent of lurgis. We ended up with a strategic tile-placement game called Space Termites! (the exclamation point is integral and vital).



You are an intrepid space engineer, tasked with building a spaceship in simultaneous co-operation and competition with your fellow space engineers, and hoping you do so well enough to survive the subsequent space termite attack. The "running out of space" theme comes in the reduction of your spaceship size not just by termite depredations, but by your deployment of your fiendish module-folding skills, which allow you to compress and fold back the spaceship you have just carefully built, to retain all necessary facilities and make sure (a) no sticky-out bits are gnawed off by space termites, and (b) it's small enough to be picked up by the rescue vessel. You are scored competitively on how many of your tiles survive. Tiles are placed according to the air/power/water connections, and facilities designated by the same processes, and you end up with something that scorns design regularity (we decided space engineers have no truck with architects) but during various different games did, in fact, amorphously come to resemble a space fish, the Millenium Falcon if you squint, or a Star Destroyer with its front point gnawed off. Unlike this one, which once the termites have finished will look more like a Borg cube.



The game is ridiculously entertaining and rather back-stabby to play, and also weirdly tactical for a basic, silly concept, but it was also absurdly fun to design. It's fascinating to me how incredibly generative limitation can be (which explains, I suppose, why I'm so into highly reductionist genre convention). If someone tells you "design a board game" you flounder, but if someone says "design a board game about running out of space", ideas self-generate in excited flocks and have to be wrangled over heatedly while they bounce off each other and mutate. (It is not entirely impossible that this process was unduly exacerbated by (a) wine, and (b) high levels of postgraduate education among the participants, which means things became at times conceptually dense and polysyllabic.)

And I really think we struck it lucky (or highly intentional and clever. Or both.) with the core concept, because the balance between co-operation and back-stabbing really makes the game interesting, and ramifies out the tactical possibilities in weird and challenging ways. Also, I have to say, there were untold opportunities to make cheerfully mean space engineer jokes. Sorry, engineers. You can laugh when the termites get me.

happy times

Tuesday, 31 October 2017 11:19 am
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So, the SA government, bless its cotton socks, has announced, perfectly predictably after much backing and filling, that free tertiary education is not viable, and radical student movements are seething. We lost two days from last week with protesting crowds prowling the campus with sticks, and lectures have been suspended yesterday and today. The Management of our Cherished Institution has decreed that lectures resume tomorrow, with increased security presence and an interdict on illegal protests, and the campus staff, bruised and slightly numb, can only brace themselves in expectation. In our court: the new SRC, just elected, rejoices in a majority of Democratic Alliance-identifying student leaders, hell bent on keeping campus open. Against us: interdicts and opening have infallibly in the past provided just the venue protesters need to rampage with maximum effect. I am not, shall we say, sanguine. I think it's highly likely we'll be delivering another truncated semester, and we'll be bloody lucky if we manage, in the teeth of the odds, to run undisrupted exams.

In all of this the faculty office is having an outbreak of management fuckwittery, coupled with serious bad timing: the faculty manager has taken two weeks off in what seems to be something of a snit, after trying unavailingly to banish the whole admin office to middle campus, and the deputy has two kids in hospital after a car accident and is likewise absent. There is something of a blitz mentality among my colleagues: keep your heads down, keep calm, carry on. Hope it doesn't explode.

I am playing a shitload of Fallout 4 again, because cynical apocalyptic black humour seems a viable response under the circumstances, and I significantly lack the emotional energy for anything other than a retreat into videogaming. In particular, I am deeply enamoured of the soundtrack, which gives you, via an in-game radio station, a truly lovely succession of songs from the 40s and 50s. These are beautifully and somewhat evilly chosen to fit into the post-nuclear-war black humour of the game, and mine the hell out of the 40s genre of novelty songs, hence "Uranium Rock" and "Atom Bomb Baby" and "Craw Out Through The Fallout". They also use sad love songs ("End of the World", "I don't want to set the world on fire", "Into each life some rain must fall") capable of reinterpretation in light of wandering the raider-ridden gun-toting post-apocalyptic landscape (and I have to say, the way in which a lot of these songs mix up love/sex/death/explosion metaphors is ... deeply disturbing, "Butcher Pete" and "Rocket 69" oh my god). And they sprinkle the playlist with syrupy feel-good croonings such as my subject line (also "Accentuate the positive" and "Dear hearts and gentle people") which you are obliged to read severely in the inverted position, wincing. I have downloaded two soundtracks and a bunch of individual songs from ITunes and am playing them on rotation in the car, chortling. It's helping.
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Last night's fun discovery in Mass Effect: Andromeda: if you are buggering around poking things in the fancy new outpost you've just set up on a planet you've just carefully won over in the teeth of extreme resistance (Kadara, and may I add, Reyes, you bastard!) and you accidentally hang around for too long on the bit of platform you didn't realise was a landing pad for shuttles, a large, enthusiastic shuttle piloted by your own Initiative people will arrive at speed out of nowhere and land on top of you, squashing you terminally flat and causing the fateful "! MISSION FAILURE" screen to flash up over your recumbent corpse.

I find this a particularly pleasing piece of essentially random verisimilitude, it made me giggle madly. It also caused me to mentally construct micro flash fanfic depicting the probable reaction of the poor benighted shuttle pilot who thus accidentally took out their own Pathfinder, who is the colonisation trailblazer, terraforming on-switch operative and the Milky Way travellers' only hope for survival. "Embarrassed" doesn't even begin to cover it. Probably a quick header into the nearest sulphuric acid lake would be the only decent response.

We have one of South Africa's merry conglomerate public holiday clusters coming up, Thursday for Freedom Day and Monday for Workers' Day, and I have taken Friday, Tuesday and Wednesday off with a sensation of palpable relief. I have had the same bloody sinus headache for several weeks now, it drifts in and out randomly, and I am conscious of a deep-seated need to do nothing for a week or so and bond with my new kitten. Next week is the ten-day vac, so it's also even possible that not too many students will actually explode in my absence. And if they do, someone else can deal with them. At this point in the proceedings I am astonishingly unmoved at the prospect.

My subject line is Hillaire Belloc, the dreadful story of Rebecca who slams doors, and meets her Inevitably Gruesome End at the hands (shoulders?) of a bust of Abraham. The poem has been circling my cerebellum gently since the Andromeda Incident.
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In my defence, my absence from Teh Intahwebs over the last couple of weeks has only partially been because of Mass Effect: Andromeda, although quite a lot of it has, indeed, been the result of kicking happily around another galaxy making dubious romance choices and taking out nasty alien fascists with elan, vindictive efficiency and a sniper rifle. The rest has been because the current bone-deep exhaustion which is still afflicting me after the worst registration season I've ever experienced, morphed into a sinus infection which laid me low for most of last week. I'm still a bit wan and floaty, drifting around in an exhausted disconnect which leaves me feeling as though my feet are not quite touching the floor, and with neither the energy nor the brain for Being Entertaining On The Internet. Patience, I tell myself. Soon, soon, I will have sufficient ducks in a row to quit the hell out of this job and find something that doesn't require me to ritually sacrifice myself on an ongoing basis. After which I may once again be something resembling a person.

Several days at home with a sinus infection did, on the upside, allow me to play significant quantities of Andromeda, which I am apparently 57% of the way through after just under a hundred hours of play. (I'm an extremely completist player). Initial impressions as follows:
  • Hell, it's pretty. The planetary landscapes and cool spacescapes are beautiful in the extreme. The Obligatory Ancient Departed Civilisation, known as the Remnant, have left the landscape littered with incredible subterranean vaults which are all black marble and weird shapes and gravity wells and giant, shadowy spaces stretching down and away. They're breathtaking.
  • They have given us jumpjets! A significant proportion of my gaming time is spent going "sproing!" and "whee!". Also the Nomad, which is an update of the old Mako, which means you can drive around planets at insane speeds while your party bickers, and which is ridiculously enjoyable.
  • All the old familiar races have followed us to a new galaxy, which weirdly presents only two new ones, one of which is the bad guys. The others are the Angara, who are sort of cuddly, collectivist, blue-and-purple lion-lizards who are extremely endearing.
  • The combat and skill and crafting structures are a maddening combination of limited and opaquely complicated. You can do some cool stuff. Eventually. To some extent.
  • The scenario and worldbuilding are... interesting, but, as Penny Arcade noted, a bit in the arena of a young and foolish vintage. This is clearly a comparatively inexperienced writing team, which is the result of them sectioning off Mass Effect to another Bioware location and leaving the experienced writers in Edomonton with Dragon Age. It shows - the writing is generally a bit patchy, plot and characterisation largely unexciting despite some good moments. I'm rather attached to the female Ryder, who's written as a bit wry and deadpan, but a lot of that is her voice, with which I am seriously enamoured: slightly alto with a throaty catch. The NPCs are almost all a bit bland. I'm finding myself making dubious romance choices because not even my Lawful Good can stomach the oatmeal of the "nice" characters. (On the upside, one of the dubious choices is voiced by Natalie Dormer, which may or may not be implicated in the selection process).
  • The fandom is dissing the animation all over the internet, and they have a point. There is a lot of the laziness and superficial glitz which characterised DA2: the game has, for example, made all the NPCs in each non-human race the same face, with vaguely different face-paint. This is, to say the least, disconcerting, and causes brief moments of paranoid conspiracy as you try to work out non-existent connections, but it's not nearly as disconcerting as the facial animations, which manage, in a burst of rare genius, to be of regressively awful quality which puts them back somewhere before ME itself. The original ME didn't try to get fancy and thus avoided the uncanny valley issue into which MEA consistently and with pin-point accuracy tumbles. Characters in this game have some really weird lip movements.
  • I am, probably as a result of contextual imprinting over the last couple of decades, extremely uneasy about this game's colonial agenda and its ecological implications. To date they're not being thoughtfully dealt with.

Also, you have an AI, whose voice alerts you to environmental hazards and resource gathering opportunities and input requirements to an extent which swings wildly between being useful and being repetitively redundant to the point of infuriation. Hence my subject line. It is probably a tribute to the actual good parts of the game that I'm still invested and enjoying it despite hearing the above in a clipped British alto twenty or thirty times in a half-hour burst of driving madly around sand dunes.

this is just to say...

Thursday, 23 March 2017 08:02 am
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... that it has taken every ounce of willpower, Calvinist work ethic guilt and basic Lawful Good that I possess to be actually present at work today, instead of calling in sick in order to stay at home playing Mass Effect: Andromeda, which has been peaceably downloading for the last three days and which unlocked at 1am this morning, and towards the playing of which I have just dedicated, with remarkable absence of aforesaid Calvinist guilt, a stonkload of money in order to upgrade my system to the optimal spec.

This is possibly also just to say, by way of public service announcement, that the last six weeks of being basically antisocial because of work exhaustion will probably give way to at least a couple of weeks being antisocial because I am playing Mass Effect: Andromeda, which is, all things considered, a far better (or at least more enjoyable) reason to be antisocial.

Because at this point? I have damned well earned it.
freckles_and_doubt: (South Park Self)
At this point 2016 can officially fuck right off and die. Seriously. I do not want this 2016, it is skraaatched. In my personal iconage, it has taken from us David Bowie, Alan Rickman and Sheri S. Tepper. It has given us Brexit, Donald Trump, destructive student protests and cancer in my cat. It and all its works can take a long fiery hike straight into the sun. Today it's the death of Leonard Cohen, who is not quite a personal icon but is still a Significant Good. It feels like adding insult to injury. Also, people keep posting covers of "Hallelujah", which infallibly makes me cry even in circumstances when significant portions of America haven't just lost the collective moral and political plot.

On the upside, Tumblr is circulating relevant post-election Cohen lyrics, namely from "Everybody Knows", which is a favourite of mine and also satisfyingly and appropriately despairing.
everybody knows that the dice are loaded
everybody rolls with their fingers crossed
everybody knows that the war is over
everybody knows the good guys lost
everybody knows the fight was fixed
the poor stay poor, the rich get rich
that’s how it goes
and everybody knows
In this dark time in American politics, I re-recommend you copperbadge's unabashedly fantasy wish-fulfilment political AU with the Avengers taking the White House. Leader of the Free World. Balm to the political soul.

Further in the Department of Frivolous Escapism With Which I Propose To Distract Myself, I hear really positive buzz about Mass Effect: Andromeda, whose release date has been delayed to next year, which is a Good Thing because if they released it in 2016, 2016 would infallibly fuck it up beyond redemption. Interesting details on the game's developments here; I like what they have apparently done to tweak the combat system, and I am really excited about the increased emphasis on character interactions, because as you all know I am a mad and desperate fangirl for Bioware character interactions. The statement "The squadmate with the least amount of lines in Andromeda has more lines than the squadmate with the most amount of lines in ME3" made me go "squeee!", although not quite as ear-splittingly as if they'd replaced "ME3" with "Inquisition". I shall set aside a two-week leave period around Andromeda's release date, upgrade my computer, and permit 2017 to establish its bona fides appropriately while waving two fingers in 2016's general direction. Because really.
freckles_and_doubt: (South Park Self)
It's remotely possible that being a total and irredeemable geek is my Seekrit Weapon, curriculum-advice-wise. If nothing else it gives me innocent joy to assist a student with a tangled curriculum and then spend 20 minutes, as I did a month or two back, dissecting Fallout 4 and our respective experiences over multiple play-throughs. (You were quite correct, Fallout-playing-student. Survival mode, while extremely tricky at lower levels and ultimately requiring minor modding to saves to make it non-frustrating enough for sustained play, is a deeply satisfying thing, I'm so happy you persuaded me to try it. I hope you have a tiny, untraumatic curriculum problem soon so I can tell you all about it).

Today's one was a rather beautiful inner arm tattoo which made me go "oooh, is that Tengwar?!" in girlish excitement. The student got this sort of soul's-awakening look - momentary shuttered expression, you could see him gathering himself to explain the context to a tragically unhip middle-aged administrator, followed by dawning realisation as my actual comment penetrated and he identified against all likelihood a fellow geek who didn't just recognise Tolkien, but the actual script. I wish I could have taken the hat-trick by translating, but alas, my Tengwar is beyond rusty. ("The crownless again shall be king", apparently. Somewhat classic.) At least I could respond, when he said in some relief, "Oh, you're a Tolkien fan!" by pointing wordlessly to Lúthien Tinúviel dancing on my wall.

It's a tiny subset of geeky students to whom I can appeal, but it does help to feel that moment of actual connection. Some things do cross the generation gap.

I fear that geeky consolations are necessary at the moment, as the university landscape is a bit doom-laden. It's all quiet; once again, too quiet. Lectures are suspended for the term, but students are able to access the library and labs, and the buses are running, so technically they are all finishing the semester's work and preparing for exams, which start next week. But it's entirely likely that the protesters are imitating the action of the rake in the grass and will erupt into life as soon as we incautiously step on their tines by trying to actually congregate students for examination purposes. At which point it'll all go to hell in a handbasket. However, I should note for posterity that "tines" is a lovely word. So specific. Precision in language is a very particular pleasure.

Quick Hobbit update: he's still OKish. He didn't respond at all well to the scheduled reduction of his cortizone dose after a week, his condition took a sharp dive, so we had to up it again. This means that the time left on his personal feline clock is probably measured in weeks rather than months; the cancer must be far enough advanced to resist the low doses already. Increasing the dose is giving him a bit of an appetite, at least, although in true feline and hobbitish fashion he is milking this for all it's worth by turning his nose up at expensive kidney-improving kibble. He only becomes truly enthusiastic about food if I hand-feed him bits of cooked chicken from my plate, at which point he snatches them somewhat impolitely and bolts them. I don't feed my cats people-food under any circumstances, usually, but right now I will feed him the blood of the living if that's what it takes. Let's hope it doesn't get that far. (Also, he infallibly bites me when I pill him, so he's getting a reasonable daily dose of blood anyway).

(My subject line quotes "Beren and Luthien", because that level of poignant loss seems vaguely appropriate on a number of levels).

spiders from Mars

Monday, 13 June 2016 12:36 pm
freckles_and_doubt: (South Park Self)
When I left to do some shopping early on Saturday there was a small flock of hadeda ibises (ibi?) posed dramatically along the roof-tree of my house, against the morning sky. Rather like a boy-band album cover, in fact: studied poses, all carefully differentiated, positions and distances calculated to hint at relationships. A deliberate construction of unity and individuality. I'm still kicking myself that I didn't take a photo, if only as documentary evidence so I can pick the right bird out of the line-up for punitive purposes. Because in retrospect that was a sinister little flock loitering with intent.

During the course of Saturday, while I was in my study innocently ambling through the Shivering Isles1 one or more nameless hadedaean perpetrators spent several hours wreaking wanton destruction in the back courtyard2. My container garden has a terribly tendency to cutworm, who drowned in droves in the heavy rain last week, and the Hadeda Boy Band obviously had a field day noshing the little surface-floated squishy corpses. Which is fine, and would cause me fist-pumps of vindictive satisfaction, except that hadedas are large birds who (a) trampled several plants nearly to death, and (b) half dug up others - the soil in the pots is basically harrowed and drilled by the multiple stabbings of hadeda beaks. Have you seen the beaks on those things? like bloody ice-picks. And, crowning insult, they crapped (c) all over the back courtyard, with that excessive bowel enthusiasm characteristic of their kind, and (d) all over the kitchen, because I leave the courtyard door open for ventilation during the day, and they clearly wandered in like they owned the place. I basically had to hose down and disinfect the whole room. I'm not sure the cutworm decimation is worth it. Seriously, One Direction would definitely do less damage, or at least damage that was somewhat less scatological. Probably.

I'm feeling a little besieged, is all. The neighbourhood tomcat who beats up Hobbit is still prone to coming into the house at night to beat up Hobbit, play with his cat-toys, steal the catfood and spray all over the passage. (Where the hadedas crapped. I'm sensing a theme.) I'm sleeping with the bathroom window closed, which means my cats trying to get out or the tomcat trying to get in have to go through my bedroom window and over my recumbent form. This does seem to be excluding the tomcat quite usefully, hooray, even if it does necessitate 2am wake-ups as Hobbit launches heavily from my midriff. But clearly any open window is an invitation. Last night I was lying in bed playing Avengers Academy on my phone3, and I happened to look up at the curtain because my eye caught a slight movement of something dark against the dark green. And a massive spider, must have been 8-10cm across, came moseying out from behind it and across it like the hot contender in the World's Most Nonchalant Arachnoid heats.

This is, quite frankly, rude. Because one's body does that complete muscular lock-down thing, frozen in horror and with faint echoes of Dragon Age dialogue drifting across one's cerebellum4. During this involuntary play-dead manoeuvre the spider ambled unhurriedly on a dead level path across the curtain, and disappeared behind it. Then I lay there for the next hour, staring into the dark with eyes like the third dog from the tinderbox fairy tale, every fibre of my being tense, while scenarios play out endlessly: spider has fallen on the floor and is climbing up the bed leg and under the blankets. Spider has fallen on the floor and is climbing up the mosquito net to drop on me. Spider is climbing up the wall so it can fall on me from the ceiling. It's lurking on the curtain so it can fall on me when I forget about it and open the curtain in the morning. It's fallen on the floor and will run up my leg when I get out of bed. It's moseyed on out into the courtyard and I can go to sleep now. Really. Really. I can sleep now. Any time.

I eventually did, and it didn't leap out at me at any point during the night, but I find the fact of its complete disappearance suspicious. With any luck the nice cleaning lady will find it and chase it out into the courtyard, where a hadeda will eat it. Because apparently I have an ecosystem.



1 Oblivion re-play while waiting for Fallout 4 to download. The Shivering Isles are perfectly demented, but I'd forgotten how pretty they are.

2 Which in retrospect does explain why the cats spent the day attached to my ankles, lily-livered beasts.

3 This is a deliberate attempt to try and connect me more with my phone, which I forget to check or charge or bring half the time, and which would be long since dead if it were a tamagotchi. Judicious experimentation suggests that being able to make teen superheroes dance or fly or take selfies does indeed foster attachment. Go figure.

4 Cole: "Too many legs!". Dorian: "Just once, we should see normal-sized spiders!"

cold tired fingers

Monday, 4 April 2016 03:11 pm
freckles_and_doubt: (South Park Self)
Gawsh, this blog thing, I'd forgotten. It has been a Somewhat Medical couple of weeks, with the minor op for the Weird Finger Bump followed by a lurgi and a doozy of a glandular resurgence, which means I've been flattened and faintly choked for about ten days. Seriously, minor sinus/throat infection thingy and it feels as though a horde of inept vampires have been chewing on my neck, enthusiastically but without much actual skill. They are too fumbling to break the skin, but my current levels of flattenedness suggest they're draining blood by some sort of vampiric osmosis. I'm still somewhat exhausted, despite two full weeks featuring exactly two days of work. It really hasn't been an easy six months on campus, I think we're all feeling the tension.

On the upside, the Weird Finger Bump turns out to be a cartilage tumour, which is a benign/non-invasive thingy known technically as an enchondroma, which is a lovely word that bears repetition just for the monk-like chanting effect. Also, I'm associating it vaguely with camels, or possibly the inner wibbly bits of plant cells. I have a neat 3cm slash in my finger, which meekly dissolved its four stitches in a week and is otherwise inoffensive, although it was bloody and rather painful for the first week and large tracts of it were blue and yellow from bruising from the local. The hand, it transpires, is unduly full of nerve endings. On the upside this kind of tumour has a very low chance of recurrence. It has also been headed off at the pass from its purportedly characteristic party trick, which is to grow gently into the bone until it's exerting enough pressure to fracture it. Foiled! Foiled, I say!

I have, regrettably, been a complete and total hermit for the last two weeks, because exhaustion, and my apologies to all the lovely people I haven't seen much of. On the upside, I have played entirely through Knights of the Old Republic and about two thirds of the way through the sequel, which has contented the Star Wars jonesing more than somewhat, and has incidentally revealed the following:
  1. Narrative clearly trumps graphics any day, these are really old games with really clunky visuals, and I'm still absorbed. I have also recently played Bioshock 3 and Dishonoured, both of which are really pretty, and neither of which I have finished because bored and railroaded. Or, in the case of Dishonoured, undue up-front fridging.
  2. I am at a level of expertise with these games where I recognise the actors' voices (because Bioware really has recurring favourites they keep using from game to game) within about half a sentence. Since they have cunningly seeded the love interests with the voices of, respectively, Kaidan and Cullen, my two go-to romances from ME and DA, I'm basically doomed, romancing anyone else feels like infidelity. On the upside: Carth.
  3. Dear sweet whistling Chadra-Fan, but the plot of KOTOR2 is a hot mess. It really has too much plot, insufficiently controlled, and its quest structures bugged way beyond hell and gone. Not a quality construction, although productive of a certain player curiosity which propels one through the high levels of wtf in sheer curiosity as to how this whole insane edifice is ultimately going to shamble, clanking and groaning, to a conclusion. My prediction: bits will fall off.
  4. Lightsabers. LIGHTSABERS!!
freckles_and_doubt: (South Park Self)


I've been playing this as background music for the last couple of days, while doing anything except actually, you know, videogaming... and it's excessively lovely, a perfect confluence of two of my passions, gaming and classical music. These are full-on orchestral suites, beautifully arranged. As I type, Legend of Zelda is making me cry. They have an actual ocarina. I'd forgotten how much of that game allowed you to use a musical ear to short-cut the puzzles. Also, note to self, if they ever ported Zelda to PC I'd probably lose several years to playing the entire back catalogue.

The interesting thing, though, is how emotive I'm finding it even when I haven't played a lot of the games - in fact, Zelda is the first one in this sequence that I've actually played. But I still loved the other suites, Assassin's Creed, The Last Of Us, Journey and the Mario mix and all. I think this is an index of how game music is written - to be stirring, emotional, to figure the hero's journey, whether introspective or martial or whimsical, to embody the frequently beautiful landscapes of the gameworld. Like gaming itself, videogame music has to distil reality into an essentialised version of itself. Which means it packs a punch, to say the least.

The subject line is from "Beauty and the Beast", because I had to have something from the Heroes album.
freckles_and_doubt: (South Park Self)
Hooray, I appear to have mostly kicked this ridiculous bug, although it had some slightly excessive death throes yesterday, in that I spent the day with a thundering sinus headache and nausea. Felt like a hangover, actually, although I don't think I drank enough at dinner on Saturday night to merit an actual requires-hair-of-dog scenario. (Dinner on Saturday night was lovely, usual excellent food at Frere's, and Claire's New Man has been duly met and subjected to rigorous scrutiny. She's allowed to keep him, although we reserve the right to suppression in the Carrollian sense if he keeps on inspiring stv to new depths of awful pun.)

The weekend was rendered slightly surreal partly by the need to spend most of Sunday horizontal and not moving much (which the cats loved), and partly because I'm suffering Mass Effect romance angst (ME2, narked all over again by Kaidan dumping me, but can't work out if I want to romance Garrus or Thane in the resulting fit of pique1) but mostly by the fact that I upgraded my home computer to Windows 10 via their spanky and slightly pushy auto-update download thingy, and liked it. I am not generally a Windows fangirl, but the update process was ridiculously smooth and took under an hour to download, reinstall and update, all quietly to itself and with minimal intervention from me. And I really like the look and feel, it's clean and spare in a way that grooves my personal aesthetic ploons no end, and word on the street is that it's less of a resource hog than earlier versions, although admittedly that's not saying much because bloatware. Also, its boot-up chime is way cuter.

There was, of course, the inevitable moment of microhomicidal rage when the install initialised with a range of tickyboxes all defaulting to "send Windows all the deeply personal information all the time including shoe size, favourite brand of tea and fanfic kink preferences as well as everything else ever", but there's a certain vindictive satisfaction in unticking the whole damned lot of them. I do realise that it's probably still reporting on my cat-macro preferences, celebrity crushes and typing speed quietly in the background, but Windows. And the penalty of being an uncharacteristically early adopter (Robbi made me do it) is that Chrome is bugged for Win10, although I have cunningly circumvented its complete refusal to load by accidentally clicking on "open new window", upon which it loads normally like a lamb. *jazz hands* Computers!

In other news, it's Monday, but I have brightened the morning by typing up a beautifully concise, pointed and slightly bitey rebuke to a more than usually flaky student who's been attending courses blithely all semester without actually being registered for them. Apparently she expected the actual admin realities to gradually coalesce out of the air and settle on her, like dandruff. In addition to the administrative satisfaction inherent in booting her off campus, it's calm and quiet and rainy after way too much sun and heat this weekend, and I have Earl Grey and a slice of coffee walnut cake, and a new coat my mother made for me, and I'm almost not snuffling at all any more. Also, this epic Twitterquest was still open in a tab from last week, and it made me laugh all over again. I'll take it.

(My subject line is a more than usually convolutedly related Inquisition reference which I shall leave in beautiful obscurity because I am Mysterious, or possibly too lazy to explain the multiple layered points of tangential semi-logic.)

1I'm very fond of Thane, but have a sneaking suspicion that going for the doomed tragic assassin is possibly a little self-destructive. Although at least it's not Jack. Or Morinth. In other news from The Department Of Computer Gaming As Therapy, I expect to grow as a person any moment now.
freckles_and_doubt: (South Park Self)
I spent the weekend, as threatened, playing the latest Inquisition DLC, with rather more swearing than usual. This was because (a) I've been playing Mass Effect for the last month, and all my finger-twitches are habituated to big guns and biotics and using the space bar to interact rather than pause, and (b) because the latest Inquisition DLC is hardcore. It's all Deep Roads, caverns and underground cities and what have you, and you spend the first half of it being beaten up by hordes of Darkspawn, and the second half being beaten up by hordes of <spoilers> who have particularly nasty abilities in terms of <spoiler> and <spoiler>.

There was an especially bad set of curses at the point where the nasty, lengthy combat chipping away at the two rather ferociously indestructible <spoilers> ended with one of them, down to the last tiny fragment of health bar, falling through a glitchy bit of wall and getting stuck behind it so I couldn't finish them off, and I had to reload the damned combat and replay it four times before I managed to circumnavigate the glitch. (By dint of equipping my two tanks with the hook and chain thingy, gradually dragging the two bad guys out of the area and holding them away from the walls with static cage while we hacked at them. I confess to a certain vindictive satisfaction when the second one finally fell.) But it was at this point that I also realised why a moderately demanding DLC was ending up with me or my party down several times a combat and utterly out of healing potions: because (a) I was playing with the difficulty level at Hard rather than Normal or Casual, and (b) because this was my pacifist Inquisitor.

My difficulty level has been set at Hard for the last two games, despite my general lack of interest in heavy combat, because after the mumbleteenth replay of the same game I am so damned good at the tactics that combat was neither challenging nor enjoyable. And the pacifist Inquisitor is a combination of genuine roleplaying interest with sheer bloody-mindedness. I'm playing a human mage, which means a Circle origin - i.e. I've spent my life locked up in a mage tower learning magic while Templars breathe down my neck to make sure I'm not summoning demons. Magic in this world is heavily controlled, and I found myself wondering how likely it was that a mage would emerge from the Circle with any experience at all of combat magic. Because Dangerous and Bad and Templars wouldn't approve, surely? The most likely character trend would be towards academic geekiness and abstract or practical rather than combat spells. So my mental commentary at the start of the game constructed my Inquisitor as being horrified by the combat and somewhat violated at the idea of using magic - which is a very internal, personal sort of energy, I'd think - to kill stuff. And I developed her as far as possible without combat spells.

This was tricky, but possible - lots of support (barriers, resurrection, dispel, the whole spirit hog) and containment rather than damage (static cage, ice mine, etc.) I went ice rather than fire or electricity, as being less violently energetic, and eventually, and slightly counter-intuitively, developed her as a necromancer - i.e. animating already-dead corpses and scaring people off with Horror rather than destroying them directly. I also, in sheer self-defence, because you really can't be non-combat entirely in this sort of game, made the assumption that using a staff was a reasonable distancing mechanism, killing with a weapon rather than with your own life-force. The upshot being that she's fairly good at support but hopeless if anything gets close, hence the frequent dying. It was an interesting play-through, particularly in the demanding DLC setting, and interesting to see that it is possible to angle the game towards specific and slightly more coherent role-playing choices.

Of course, to play a demanding, combat-oriented DLC with a pacifist Inquisitor on Hard difficulty is sheer cussedness. I cop to the sheer cussedness. Possibly with pride.

My subject line is Death Cab for Cutie, a song which is a bizarre and idiosyncratic mix of sappy romantic with morbid. Fairly appropriately: if I have to spend a weekend following things into the dark while dying frequently, I have to say that this DLC is simply beautiful, especially in the lower levels where it's all dark blue shot through with lyrium veins, and in the final area which is <spoiler> and <spoiler> and generally exquisite.

freckles_and_doubt: (South Park Self)
I'm not quite sure what it suggests, that we (or at least Jo) are apparently on hugging terms with the maître-d of Overture, which is the very nice five-star restaurant on the Hidden Valley wine estate in Stellenbosch. I mean, we know the staff because we go there at least once a year, and they always say welcome back and nice to see you again with a degree of enthusiasm which says they're either genuinely happy to see us or are very well trained - possibly both. They know us well enough to bring extra bread so we can mop up the sauces (that delectable parmesan thing on the oxtail crêpe, for example). And while they no longer do the wine pairing which was hitherto such a marvellous feature of their menus, the nice maîitre-d is always very happy to suggest suitable wines for our various choices, and the single "carafe" we ordered of that lovely chenin was suspiciously free-flowing for far longer than it really should have been, I think he nipped out back and refilled it while we weren't looking. Also, note to self, the Hidden Valley shiraz blend is ace, obtain more. Hidden Secret, I think. Yum.

Overture is a favourite hang-out because it's always a really good experience, and any food they serve can be ranked on the scale of very good, really damned good, amazingly good and wow my tastebuds just exploded in a good way. And damn the expense. It's worth it. Also, I have discovered that my superhero ability appears to be "reliably order the best thing on the menu", putting me mostly at the head of the field in our informal fork-sharing comparisons. That vanilla souffle, mmmmm. Also, while it sounds unlikely, the gnocci with roasted mushrooms and smoked aubergine pâté. I don't know what they did to the mushrooms - portabellini which I think were slow-roasted so they were slightly dried and a concentrated mushroom taste explosion of note. Must try at home.

Today's lunchtime jaunt was additionally pleasant because it was a weekday, stv and I both took a day off work just because, and I at least was sitting in the winelands imbibing quality food and booze instead of wrestling through the thickets of HR-speak which have characterised large tracts of my week. (My Cherished Institution's HR department has the bit severely between its teeth in the performance-review area and is burying everyone in labyrinths of over-documented, overly positivist HR jargon of the worst description. SMART measures. Aspirational career goals. Objective-centred self-evaluation. My boss called my role "student-facing" in cold blood yesterday. While carefully stashing the term towards my ongoing efforts in linguistically role-playing, with some verve, the kind of person who actually takes this shit seriously, I nearly bit her.)

It's probably a good thing, all things considered, that I solved one minor mystery just before jo&stv came to collect us for the Overture jaunt. I lost Pandora this morning. She's settled in very happily and seems to be an entirely self-confident and autocratic bundle of affection nicely balanced with demand (preferred affection mode: headbutt me violently in chin, or preferably in mug of tea), but for about half an hour this morning she redefined herself as an intermittent and disembodied meeping. I could not find her. I thought she might have been stuck on the roof or something, because I opened every cupboard I could think of to check if I'd shut her inside, and nope.

Eventually, careful triangulation led to the kitchen, where she'd managed to get herself shut in the spice cupboard, which I hadn't checked because there's simply no space for her. It has three shelves which pull out with the door, and they're stacked with jars and boxes and what have you, and completely fill the cupboard when the door's closed; she must have climbed into the space behind the shelves when I opened the cupboard to refill the salt, and I have no idea how she folded herself up small enough to fit when I madly closed it again without noticing her. Possibly the usual feline pocket dimension. The one which allows them to walk through walls. Except, apparently, cupboard walls. I'm a bit tetchy on the cat subject because poor Hobbit was badly beaten up last night by the beastly neighbourhood tom, and is all subdued and sporting a notch on his ear, having left a swathe of orange fur on the pavement outside the front door. If I'd accidentally bent, bont and splugged Pandora by leaving her stuck in the cupboard for four hours while we made merry, I would have felt considerably worse than terrible, and inclined to doubt my cat-parenting skills on all fronts.

Anyway. You were warned about the flow of consciousness. My subject line is of course Omar Khayyam, not for the first time. Overture was lovely, Hobbit is much less subdued, and Pandora seems to have entirely forgiven me. I have just downloaded the new Inquisition DLC and propose to spend most of the weekend hacking my way joyously through the Deep Roads. (With a pacifist Inquisitor, which will be interesting, apparently it's fairly intense fighting). Today was OK. I'll take it.

medium armour rating

Tuesday, 26 May 2015 12:24 pm
freckles_and_doubt: (South Park Self)
I had supper with jo&stv the other night, and Jo had recently acquired a cuddly and slightly Cubist blue velvet elephant approximately the size of an actual toddler, i.e. large enough for its trunk to curl lovingly around your neck when you hug it. Apparently I give off a "needs hugs" vibe, because after I'd spent the entirety of watching Interstellar ferociously embracing said elephant, she insisted on donating it to me wholesale. Now I have a blue velvet elephant. My lovely cleaning lady Margaret, who also works for the aforementioned jo&stv, appears to be somewhat taken with said blue velvet elephant, to the point where she invariably and meticulously centres it on my bed after she's made it, regardless of the fact that I habitually cluster it with my plush Cthulhu and fluffy snowy owl on the chest in the corner. (I'm really not a stuffed toy person. Those I retain have particular and specific meaning and have been given to me by particular and specific people, and their function is more memorial than adorable. They thus don't generally merit bed-space, even supposing I actually were an actual teenage girl.)

Jo and I theorise that Margaret is familiar with said blue velvet elephant from its initial days in their house, and is merely externalising her sense of its multi-household significance.



I have christened him Dorian, via an entirely logical if somewhat opaque process which will only make sense to anyone who plays Inquisition and shares my aesthetic, crafting and party composition proclivities to a reasonable extent. He really is the exact colour and texture of ring velvet. Presumably his Tier 2 additions to attack, willpower and electrical resistance will be of use when I need to apply hugs to my insomnia in the small hours of the morning.

I should add, for posterity, that the current Eskom incompetences manifested as load shedding, are particularly maddening to one whose current leisure hours are whiled away by computer gaming. Even though they're predictable under the fairly well-run load shedding schedules, the blackouts are putting a serious crimp in my gaming, and causing me to retreat into reading somewhat grumpishly. On the upside, I've read a lot recently. Reviews to follow.
freckles_and_doubt: (South Park Self)
Mostly my movie-watching life has been on hold lately, because Inquisition. Turns out there is no contest between gaming and watching DVDs: gaming wins. However, apparently the grip of the game loosens a bit when I'm on my, what, seventh or eighth play-through? So I have both gone to the movies, and watched some of the Pile of Unwatched Reproach, which is probably twenty DVDs high, in between navigating a Qunari mage through a by now incredibly familiar Thedas. Leading to a scorecard which looks something like this:

Big Hero 6. Disney animated thing with cute bulbous robot. It's a cute bulbous superhero film which I thoroughly enjoyed, because it's both cute and science-positive. Also, its deliberate rip-offs of Iron Man, among other films, are hilarious. Bonus cool swarms of evil microbots, cool nerd stereotypes and cool affirmations of non-violence. A-, because fluffy, but relegated to "probable comfort re-watch" pile.

The Hobbit: Battle of Five Armies. Um. Martin Freeman is still a tiny hobbitoid acting god. Bard wants to be Aragorn when he grows up, and probably could be. Thorin's downward spiral wasn't as heart-rending as I expected it to be, possibly I'm becoming old and cynical. Peter Jackson still suffers from irredeemably self-indulgent narrative bloat and completely inexplicable plot choices, and IMNSHO he stuffed up the actual battle something 'orrible. Wasted Fili and Kili's sacrifice, weird relocation of Thorin's confrontation to unnecessary and rather lame towers rather than the battlefield, and it made absolutely no tactical sense whatsoever. Did he run out of budget for background fighting? Also, no Bilbo shouting "The eagles are coming!", rotten swizz. B-, visually cool but overall strangely uncompelling, Martin Freeman notwithstanding.

Basil the Great Mouse Detective. This was, weirdly, teaching research, on account of how I'm teaching Sherlock again this year and am becoming unduly fascinated by the endurance of the Holmes/Watson mythic archetype across different iterations. This one has a classic Watson and a rather annoying Sherlock who has surprisingly large numbers of points in common with the current BBC one. Amazing how the tall&thin vs short&solid visual image is retained in so many versions. Entirely predicable Disney film in the slightly less accomplished pre-Aladdin mode. C, but will will show clips in class because the parallels are interesting.

The Avengers: Age of Ultron. Saw this on Sunday morning (about 10 people in the 9am showing, score!) in sheer self-defence because my Tumblr feed is trying to spoil me. I am entirely unable to say whether it's a good movie or not because my ships and personal headcanons have been so thoroughly Jossed that I'm all quivering with outrage, injury and sulk. I've read a lot of Avengers fanfic, and it turns out I'm really invested in the Avengers as they currently stand, and I want to keep on thinking of them like that, living together forever in Avengers Tower and fighting crime, not with the new team make-up going in the new direction. It was certainly a fun film, visually exciting, good character interaction, amazing fight choreography, but bleah. I decline to assign it a score on the grounds that I'm not reasonable about it. I spent most of Sunday unconscionably depressed and killing things in Inquisition with more than the usual levels of vindictive satisfaction. Phooey.

On the upside, they also gave us the new Star Wars trailer in big-screen 3-D, and it made me weepy. Apparently I'm imprinted on that universe, but also the new images are correctly gritty and feel like Star Wars in a way the prequels-we-do-not-mention did not. A new hope!
freckles_and_doubt: (South Park Self)
Apparently you can take the girl out of the SCA, but... If you don't read Mallory Ortberg, on The Toast or on Twitter, you should, she offers an extremely high class of batshit lateral. The latest of hers to do the rounds, Two Medieval Monks Invent Bestiaries, is a particularly fine specimen. The traditional Earl Grey was snorted through the traditional nasal appendage.

I am still at home with bronchitis and a lovely, hacking cough which causes Hobbit to dash terrified from the room at frequent intervals. My nice doctor has torn her hair slightly, prescribed an asthma pump, and booked me off for the whole week. I am playing an awful lot of Inquisition. Random investigation (occasioned by a weird game corruption which Teh Internets seem to think is the result of having too many different saved games) suggests that I am not, in fact, powering my way through a fourth playthrough (Qunari mage, female, romancing Josie), it's actually my seventh1. I appear have spent a certain proportion of the last few months playing Inquisition in a fugue state. Also, I am now good enough at the damned thing that I'm wandering through on an elevated difficulty visiting areas in the wrong order so I fight things a good 6 or 7 levels higher than I am, and I'm still cremating them with some efficiency.

Finally, this blew my mind. Metallica cover, plunging me straight back into my Honours year, aargh nostalgia. All-girl band. Aged 9 to 14. Watch the drummer in particular, she's bloody good and she rocks.



1 Human rogue (dual wield), female, Cullen; Elven mage (rift mage), female, Solas; Human mage (knight enchanter), famale, Cullen; Elven warrior (sword/shield), male, Dorian; Elven rogue (archer), female, Cullen; Human mage (knight enchanter), male, Dorian. I am not, apparently, compelled to monogamy as much as I am in other iterations of Bioware games, although there's a certain Cullen and Dorian theme emerging. This is because Inquisition is beautifully written, far more so than earlier DAs, and I genuinely like and respect a much higher proportion of these people. (Dorian is entirely endearing, and Cullen's character arc over three games is very nicely drawn; both achieve the balance of damaged/conflicted with likeable which earlier DAs have largely flubbed). Next up, Dwarven rogue, female, (dual wield, still my favourite class), probably Sera. Blackwall annoys me and Iron Bull is frankly terrifying.

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