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When the first US election results started coming through on Wednesday and the trend became apparent, I shut down my browser and retreated into re-reading my Sookie Stackhouse collection, on the grounds that I felt sick and have absolutely no emotional bandwidth and I didn't want to know. This didn't stop me feeling sick all day, and today I am still nauseous and miserable and despairing. They fucking did it. Despite his whole being and actions demonstrating in eye-watering technicolour exactly what he is, they re-elected that sweaty, corrupt, senile, imbecile, rapist, fascist dickhead, and the next four years, at least, probably longer, are going to be unmitigated hell. Trump's first term and his entire election campaign are basically a giant cautionary tale screaming "Don't Create the Torment Nexus" in letters of fire, and what did they do? created it. Again. Deliberately. Fuckers.

Except. While I am grief-stricken and angry and despairing and alienated in exactly the same way I was in 2016, a central reality is now much clearer. I cannot, really, blame the American people for this. Quite apart from being perfectly aware that more than half of Americans are as aghast as I am, and voted against that excrescence very hard with both hands, two other important things are evident.

One: the vast majority of people who voted for him, or who chose not to vote as an ill-thought-out "protest", did so because they have been systematically lied to by a right-wing media and/or right-wing social media misinformation exploiting their poor media literacy and inability to think critically. Both of these are themselves the product of several decades of systematic and politically-motivated undermining of the American education system. The right wing has been all too quick to realise that they will never stay in power if everyone has valid information about the candidates, parties or policies, so a horrible majority of people voting do so based on their steady diet of misinformation, marketing spin, distraction, uglification and outright lies. Billionaire-owned media conglomerates drove the election juggernaut in whatever direction they pleased, and since "right-wing billionaire" is a redundancy, liberal values being fundamentally incompatible with making obscene money by whatever means necessary, that direction was firmly in the direction of "corrupt self-serving oligarchy". Which may also be a redundancy. The Harris campaign was, as far as I can see, brilliantly run, they did everything right, and Harris was a stunningly valid candidate; Trump flailed around doing everything wrong and visibly continuing to be the Torment Nexus, and it didn't matter, because the significant people-reaching chunk of the right-wing media reported whatever the hell they wanted to report. It was sickening, and screamingly frustrating, to watch it happen.

And two: this election was stolen. Even if no-one uncovers widespread ballot-tampering, which Jesus fuck I hope someone does, this was not a free or fair election. Quite apart from the manifest insanities of the electoral college system, the American electoral landscape in the last decade or two has been characterised by widespread voter suppression, gerrymandering, ballot station inequalities and other fuckwittery designed to suppress the vote of the kind of people most likely to vote left. The whole American electoral system is an edifice of corruption and bias, which the right wing has been warping to their own ends for longer than I care to think about. It's probably marginally more fair than an African dictatorship, but it's much less honest about it.

The worst thing about re-creating the torment nexus is that its giant, destructive tornado is self-sustaining. With Trump in office for another term, both of the above will get worse, making it increasingly unlikely that a left-leaning candidate will ever be elected again. There will never be a free and fair American election without electoral reform and, failing the systematic firing squad execution of significant tracts of billionaire, massive innovations in media truth-telling requirements. The second Trump term is going to do exactly the opposite at mach fuck speeds and with gleeful, vengeful spite. Hell, if Trump manages to enact half of his misbegotten plans for the country, African dictatorships nothing, the US will actually be a dictatorship in short order. A fascist one.

And while really American politics are not my business, really they are: the US affects all of us, its media and culture and politics have global impact even above its economic and military power. What Project 2025 means for human rights is terrifing; every person, queer or trans or non-white or female, who suffers as a result of this fuckwittery, affects me because it is vindictive, unnecessary pain applied to the commonality of being human. Possibly even more importantly, given we all need basic food and water and air before we can even apply human rights, we're at a tipping point in gobal warming trends, and the next few years could be vital for reducing emissions. The Trump administration is planning to, oh, I dunno, grab one of the vile list at random: shut down the agencies monitoring climate change so they'll shut up about it and allow big business to get on with raping the environment without disturbing their profits. A second Trump term could, quite literally, destroy the world, if they go about it with any efficiency - our only hope is (a) resistance from the rest of the country and the time it will take to dismantle the safeguards the Biden administration has put into place, and (b) the fact that ultimately the far right can't find their own noisome flabby self-centred butts with both hands.

I don't do anger: I'm bad at it, I default to self-blame way before I will ever direct rage at even a worthy object. With this election outcome I am surprised to find that I am despairing, but I am also fucking incandescent with rage. We should be better that this. We are, as a race, better than this. The re-invention of the torment nexus is being driven by a tiny, disproportionately overpowered group of self-interested self-satisfied sociopaths, and I have never in my life wished so fervently for the death of specific human beings. I hope they all die in a fire. If they have their way they might, as the world burns.
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Ok, that's fair. If I have to get COVID, which is completely inevitable given that we are back on campus and no-one is masking, at least I can spend my week's self-isolation entertaining myself by watching Elon Musk get owned so hard on Twitter that his great-great-grandchildren are going to be flinching at birdsong, blue tick marks and the term "free speech" without realising why.

Twitter has always been a cesspool, on which isolate rafts of civility float precariously; at its best, it replicates the pleasures of the Latin epigrammatists, its format lending itself to everything that is pithy, witty and vicious. Elon's blindly self-indulgent acquisition of the platform in the name of "free speech" and the cause of billionaire flexing, appears to have neglected to consider the probable result if those qualities, particularly the last, are trained on him rather than the world at large when he inevitably screws it up, as he has done near-instantaneously and with horrible efficiency. (The parade of blue-tick celebrities "impersonating" Musk has been a sustained and delightful exercise in political, collaborative performance art.) His acquisition of the platform is an exercise in classical hubris, and there is a massive satisfaction in watching him, having chainsawed himself off at the knees in blithe arrogance, topple inexorably into financial and reputational ruin while the gods laugh. Couldn't happen to a nastier asshole. I hope it tanks Tesla. Possibly cosmic justice does, in fact, exist.

In other news, I have COVID, and am, according to the nice pharmacist who stuck swabs up my nose, "extremely infectious", the test apparently bounded so fast and so hard into "positive" that the needle, metaphorically speaking, quivered. I feel like fifteen sorts of crap, and am spending my time attempting, at intervals, to eject my own lungs by convulsion. Also, for some reason this stupid version of the bug is making me cough violently and then sneeze, equally violently, six or seven times in succession immediately afterwards, it's maddening. Apart from the brain fog being an absolutely real thing, apparently COVID makes you explode.

It's a week, is all. About the only thing I can say about it is that mercifully the COVID has hit now, instead of in two weeks' time when I am running wall-to-wall advisor and exam committee training and wading my way through enormous scads of board schedules, cursing. While there is a sort of vindictive satisfaction, not unakin to the Elon-downfall pleasure, in contemplating how hard the faculty would have to jump around to plug the gaps if COVID took me out at the truly active juncture, it's really not worth the mopping up.

Elon won't get to mop up. Elon is going to be in little itty bitty chunks, looking surprised and betrayed, on the floor. Elon is screwed.
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Whew, one of those half-year blogging hiatuses again, funny how they creep up on me. I think remote working, and the concomitant ability to not leave the house or speak to actual humans for days at a time, is actively reducing my general communication skills. Or, in other words, the pointer on the Isolate-O-Tron has dipped from "Hedgehoggy Hermit" to "Homicidally Misanthropic", a considerable drop from its pre-COVID standard levels of "Awkward at Parties/Disinclined To Leave the House". I always did have to arm-wrestle myself, best of two falls out of three, to force my own attendance at any given social gathering. Now I've apparently kiboshed the wrestle at the outset by stealing my own elbows. Metaphorically speaking. Physically they are still more or less attached. I mean, I can still type, so have no real excuse.

All of the above, incidentally, not to cast any aspersions on the generally much-appreciated virtual presence of anyone who still does drive by this venue occasionally to see if I'm burbling. Virtually you are all lovely and much less likely to make the Isolate-O-Tron's needle quiver, and I really have no excuse for abandoning you.

I am driven to resume blogging, characteristically enough, by the burning need to record for posterity a particular dream I just had. My sleep patterns are a mess again, mostly because I've just had a month-long run-in with a particularly epic case of 'flu, and went off both the antibiotics and the decongestants only a couple of days ago. Since the combination of meds was making me sleep 9-hour nights like a particularly coshed dormouse, going off them has led to those happy evenings lying in bed for hours at a time with eyes wide open like the millstone eyes of the tinder-box dogs in the fairy tale, feeling the sleepless seconds drip by with equal parts horror and despair. Insomnia is a bitch. And when I do actually sleep, it's lightly, and with interruptions, and I wake up earlier. Hating the universe in general and everything in it in particular, see "Homicidal Misanthropy", above. But I do, in all that disruption, remember far more of my dreams.

Said dreams characterised themselves, a few days ago, by degenerating into actual nightmare, with far more gore than I am wont to experience, dream-wise. I blame the Queen, for dying. Because the generally sad and laudatory nature of the media and social media responses are giving me ingrowing postcolonial irritation and the tendency to mutter darkly about hypocrisy and jingoism and denialism about the current parlous state of the British economy, culture, political landscape and royal family (racism, sex scandals, legislative meddling and black-market cash deals, oh lord). Which is all filtering into my dreams, causing me to dream the following:
  • a darkly threatening forest setting at night, occupied by:
  • several small/innocent children, and;
  • a team of servants, tasked with nobbling the above for the consumption of:
  • the Queen, characterised for these purposes as:
  • a Fallout robobrain robot, which looks like:
  • this:
  • Fallout 4 robobrain
  • except with the Queen's head attached in place of the glass dome, and the additional, horrifying detail of:
  • an unnaturally large mouth, opening unnaturally wide to reveal:
  • rows of enormous, long, jagged, horrifying teeth, with which:
  • she proceeded to bite off some poor child's arm, lots of blood and screaming, and I woke up.

I do not like this monarchy. It is skraaaaatched. As are my sleep cycles. I should add, also for posterity, however, that playing injudicious amounts of Fallout 4 is (a) satisfyingly apposite to the current state of global geo-political meltdown, (b) satisfying to the general state of homicidal misanthropy, as I wander around with a maxed out plasma rifle and sniping skill taking down deathclaws with single headshots, and (c) apparently colonising the dream landscape.

(my subject line, by usual processes of free association, is David Bowie, "Time").
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The start-of-academic-year hell continues apace, with the attendant 12-hour days, failures of student (and advisor) reading comprehension, random system glitches, horrible database processing queues, and the usual seasonal infestation of load shedding, sigh. It is randomly leavened at infrequent intervals by Stardew Valley, student and advisor gratitude, light rain, affection from my cat, and the smug glow occasioned by getting the daily Wordle third go for five days in a row, the last in under 30 seconds.

Wordle 229 3/6

🟨🟨⬜🟨⬜
🟩⬜🟨🟨⬜
🟩🟩🟩🟩🟩

I have also retreated, as is my wont under admin pressure, to only the lightest and fluffiest fanfic reading, which currently appears to mean Drarry. I find that reading Harry Potter fanfic these days comes with a side order of defiant glee, as it's the only way I will henceforth interact with the franchise, I am fucked if I am going to spend any further money on it in any way which will accrue to Rowling's smug, bigoted, hateful, TERFy coffers, the horrible cow. But even in the leaden haze of reg exhaustion, I have found the last couple of weeks' reading to have vouchsafed me an Insight, possibly sizzling.

I love Drarry because it tends to recoup the awful, deterministic condemnation of Slytherin in the novels; it humanises, complicates and adds nuance to Rowling's mean-spirited Slytherin Bad Griffindor Good reductionism, and it invites you to see the Slytherin kids as victims of Voldemort's war even if technically their families allied with him. This isn't a feature of the books, in which Slytherins are pretty much all bad and for always; even the vague semi-redemptions she allows Snape and Narcissa manage to insist, in both cases, that it's not real redemption, that self-interest plays a part; they remain unchanged in essentials despite the redemptive act. Draco, struggling with fear and threat under Voldemort's sway in book 6, nonetheless sticks to his Slytherin allegiances more or less uncritically. Rowling doesn't, fundamentally, believe that essentials can change. Which is, of course, why she's a TERFy bigot in particular, because somewhere at base she thinks identity as much as character are burned into you from the start, fixed and immutable, and no change is real.

Which has always annoyed me, but actually takes on a whole new meaning when you think of it in the context of contemporary internet culture. Tumblr and Twitter in particular, but actually social media in general, have enormous problems with callout culture, with dogpiles on popular social media figures for the least transgression - and, often, single transgressions somewhere in the past. (Note that here I am obviously not referring to obvious/horrible/ongoing abusers such as those targeted by something like #metoo, but things more like the cancellation of Thomas Sanders in some circles). The current culture doesn't allow for the idea that people can screw up, admit they were in the wrong, learn from their mistakes, consciously not repeat them, and grow as people as a result. Nope! you said/did Heinous Thing back in the day, so now you are Invalid, and nothing you say is ok, and no-one should listen to you ever again. You were always in Slytherin, in fact, and can never be anything else. Worse, let's now revisit everything you have ever said and decide that it was never actually OK, because condemnation is retroactive as well as permanent.

And I'd say that this was Rowling being simply a reflection of her generation, but actually it isn't. Rowling was born in 1965, she's older than I am by a few years; our generation was not, in fact, raised to black/white divisions and wholesale condemnation. Those have been a feature of the internet landscape only in the last decade or so. The black/white thinking thing isn't characteristic of her generation, but it's sure as hell characteristic of a lot of people who were raised on HP.

The first HP book came out in 1997, the first film in 2001. A lot of people who grew up on the series are now in their 30s. And the question is: did Rowling only reflect an inherent cultural trend which has become worse in the last ten years, or did she directly contribute to it? if you're the kind of person who cancels a media personality now for a single incautious statement or stupid response, is that not at least partially because, somewhere in your adolescent identity formation, you had internalised the idea that Slytherin is Bad and anything they do is Bad and they can be simply written off? And, yes, a lot of it is broader cultural pressures and the tendency to retreat into reductionist thinking as a response to excessive complexity, but if the cultural zeitgeist is pushing you in that direction anyway, doesn't it simply entrench and exacerbate the tendency, to have a ready-made, catchy, whimsical mythology which gives you lovely symbolic terms in which to authenticate your bigoted thinking?

It's just that, reading fic which explores and attempts to recoup anti-Slytherin prejudice in the novels, it's all horribly familiar, suddenly. And I think that Rowling's TERFy kick is an inexcusable use of her platform, but I'm actually starting to wonder if, in fact, she's guilty of a whole lot more?

mutant enemy

Monday, 29 November 2021 08:55 am
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oh gods we have a new COVID variant, and various apparently science-heavy sources, including this one seem to suggest that its jolly little spike proteins have mutated madly enough that current vaccines may not, in fact, slow it down any. Which is creating a horrible, leaden, despairing sense of déja vu: the advice quoted in that article is "go back to March 2020 precautions". I was enjoying the sense of comparative safety in being fully vaccinated: I had my hair cut, and had plans for importing a gardener and a plumber for necessary operations. This is horrible. And I am wincingly aware that it's putting SA in the news in an extremely negative sense.

I'm staggering around a little exhausted today because I was, weirdly enough, participating in a "women in fairy tales" panel as part of a UK-based online storytelling event until about 10.30 last night, which had me both stressed and buzzed enough that I didn't come down enough to actually sleep until nearly midnight. I have done absolutely no research or teaching for two years, since the exigencies of running faculty remote processes take up my time and energy to the exclusion of all else; it was lovely to dip my toe in the water again. The weird upsides of COVID and everything being online being what they are, the panel included speakers from the US and UK as well as me, and the audience was all over the world. Apparently the US was sunny, Cape Town has been unseasonably rainy for a few days, and the UK was locked in a snowstorm, so go global warming. But I found myself apologising, in the greenroom before we started, for SA's latest unhappy contribution to the current catastrophe. Could have done without that, really.
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By way of rewarding self for the horrors of this year's remote reg and orientation experiences, I ordered myself Animal Crossing: New Horizons, and have been playing it in the evenings as far as possible given the various outcomes of the daily war between myself and Pandora for occupancy of my gaming chair. Apparently I can only occasionally seduce her away by deploying the heated blanket on the sofa. We have arrived at a semi-compromise, below:



I am enjoying ACNH, although not deliriously or obsessively, and have, shall we say, Notes.

Pottering happily about a landscape harvesting, planting, building or collecting things and meeting small, domestic goals is very much my jam when I'm tired and stressed, see obsessive re-play of Stardew Valley, incursions into things like Littlewood and My Time At Portia, and my fondness for the buildy bits of Skyrim, Fallout IV or Yonder. ACNH is more of same, although through the console lens rather than the PC, and is thus Different - less textured, less character-driven, and its cutesy aesthetic is occasionally grating. (Yonder and even Portia did it much better, IMNSHO, in the sense of being more Zelda-like, less childish).

I am enjoying, in a qualified sort of fashion, the pottering about, although its grindiness becomes repetitive a little too quickly. The writing, while in the facile sort of class appropriate to the genre, is occasionally amusing and wry. I do become a bit weirded out by the visuals, the fixed perspective is frequently frustrating and the horizon effects are frankly trippy, in the sense that ACNH denizens apparently live on a cylindrical world with a radius approximately the width of a football field. The way things move over the horizon is odd. But overall it's rather pretty and occasionally, when the art team have been let loose on a night sky or sunrise, beautiful. (Also: desperately enamoured of the museum.)

I also think I am losing potential texture and depth because I don't do co-operative play with Real People, that's not what I game for, so huge tracts of the game which are designed for island visits and social interaction with other players, are simply closed to me. (And the inbuilt assumptions around interaction infuse the gameplay rather unacceptably. Cannot, because of lack of above, complete fruit and flower collections! Maddened!) And the characterisation of the NPCs is superficial enough that it doesn't in any way substitute for the Real People interactions, and really makes me miss Stardew Valley.

Which all sounds unduly negative, but I have been playing several hours a day for the last couple of weeks, and am deriving quiet enjoyment from it, so there is clearly a lot here to enjoy despite the minor deficiencies. (I am also developing a marked habit of playing for an hour in bed in the mornings when I wake up, with tea and cats, because Switch, and it's definitely not a bad way to start the day).

What I am not enjoying at all, because I don't think they're satirising them strongly enough, is the unabashed capitalist underpinning of it all. I live in a late-capitalist hellscape, I do not need such to be faithfully and only semi-critically replicated in my gaming, thank you. ACNH is very much about Things, it's a densely populated landscape full of highly specific bits of furniture and clothing and decorations and appliances and useless modern tchotchkes, which you collect in large amounts. Even worse, its achievement and quest mechanisms are expressed in a miles/rewards/tokens system which forcibly reminds me of the one I rejected, with extreme prejudice, from my medical aid - little mini-quests all carefully calibrated to force you to grind, and sell, and buy, and grease the wheels of the whole system.

And Animal Crossing works on a system which makes you borrow money to build things; hell, you arrive on your idyllic island and the managing company immediately turns around and stiffs you with a large bill you spend the first part of the game paying off. It turns out that owing money, which gives me hives in the real world, also gives me virtual hives in gaming. I hate owing money, and you can't do anything - build, move things around - without paying large sums for it. (I am simultaneously replaying Littlewood because ACNH has given me an overwhelming desire for a fully, freely landscapable map at whim, as often as I like, without penalty).

Although it's inevitable for the glossy large-scale popular product of a massive and powerful corporation whose design techniques are clearly aimed more at marketing than at narrative fulfilment, I really, really hate that this game quite unabashedly normalises capitalist assumptions and structures and, ultimately, entrapments. The cute island getaway setting is not an escape from capitalism, it's merely another set of images in which to replicate capitalist pressures and trappings, buy and sell and borrow and consume. (And don't get me started on turnips. I think the empty notional money manipulation of the real-world stock market is vicious and immoral and disgusting, and it's not suddenly cute and acceptable because your abstract coup markers are now knobbly vegetables).

Part of the whole setup is clearly semi-satirical, in that the company characters who run the islands are caricatures - raccoons with their little grasping hands, and Isabelle as a sort of overly and superficially smiley corporate doll. But it's a nod and wink sort of jokiness which renders these corporate figures both innocuous and intrinsic - that's just, the game says, how things are. They're a bit dodge, but you can't resist them or overturn them or choose not to interact with them. They underpin everything. Capitalism, the game says, is the only game in town. And it's cute! don't worry about it! just play it! we all do! it's all there is!

Animal Crossing: New Horizons is both training wheels and pabulum for the capitalist serf, and while it's a reasonably entertaining sort of gameplay amble, about the best thing I can say about it, re-reading the above, is that it's apparently energised me into rampantly politicised Marxism in two weeks, which is not bad going, given my levels of exhaustion and usual state of jaded political lassitude. Huh.

(My subject line is Preachers, "Motorcycle Emptiness", because apparently the only possible response to corporate capitalist cute is Welsh anti-capitalist semi-punk).
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In an unprecedented move blindsiding everyone except anyone with a brain who's been watching Trump in the last four years, MAGA goons today attempted to occupy the Capitol, in order to disrupt Senate ratification of the election results in favour of Biden. Two things about this.

One: cruising through my various social media feeds today, I am struck afresh by how much we seem to be living in a clichéd and not very well written science fiction dystopia.

Two: the attempt to disrupt congress and force an electoral decision in Trump's favour appears to have been half-baked at best, conceptualised by idiots as an idiot gesture, and fizzled without achieving anything except unnecessary death and destruction, and to unnecessarily underline the extreme and terrifying fragility of American democracy as a system, and the depth and ferocity of the country's social divides. Which, frankly, could happen to anyone, nationally, and has been exemplified all over the globe in the last hundred years or so, see badly written sf dystopia, above.

But the pointless gun-toting posturing of the invaders is in the event an irresistible parallel to the delightful video I actually wanted to post today, whose wantonly inept robots exemplify all of the above flailing futility with considerably more innocence and charm.

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Trying to generate an Annual Scorecard for 2020 is really rather like surveying the shattered ruins and desecrated coastline where Great Cthulhu rampaged out of the ocean, and trying to award it points for formal landscape gardening. It feels both futile and hubristic. Which isn't going to stop me from doing it, because Tradition Must Be Observed, but if I'm carried off by nightgaunts tonight you'll know why.

It's not even as though 2020 has been, objectively, the worst year in my life: large tracts of its day-to-day have been placid, even pleasant, and I have some slightly epic bad stuff to which to compare it. I have survived, in the course of a life spent in a relatively small corner of southern Africa, one war, two regime changes, my parents' divorce, a home invasion, some unusually destructive romantic relationships, two graduate degrees, depression, injury, a DVT with pulmonary embolisms, two years of student protests, and the slow death by motor neurone disease of my incomeless father. I can't say that 2020 has been the worst year of my life, because (a) its manifest evils impacted me personally only at second hand, and (b) it's difficult to quantify across such disparate experiences, like the Professor Branestawm process of trying to do sums in apples and oranges and get the answer in lemon curd tarts. Both the protests and my dad's death were probably more savage in terms of actual psychological wear and tear on me personally.

But on a global scale 2020 has definitely been the most comprehensively befuckened, and has reshaped most dramatically the structure and tenor of my daily life. I was fortunate, in 2020, to have a guaranteed salary and the infrastructure to work at home, and to escape both COVID infection and the infection or death of anyone close to me. I am horribly, horribly conscious that huge numbers of others, both at home and globally, have been nothing like so lucky in either medical or financial terms: that kind of privilege is an empathic responsibility. It's also a testament to the clusterfuck that this year has been that America's BLM movement and increasing drift to a fascist state, and the UK's Brexit stupidities, have been eclipsed. In any other year they would be the top of everyone's worry list, not a couple of items down in a plethora of ills.

Things achieved by me in 2020: Survival with health and sanity more or less intact, which is in itself a commendable achievement under the circumstances. Sufficient self-discipline to be very, very careful and aware of COVID precautions. The successful and relatively painless translation of major faculty admin processes into remote formats. An ordered and increasingly comfortable home (being at home 24/7 is really good for noticing and remedying minor home decorating deficiencies, who knew?). Considerably advanced strategies in surviving endless Teams meeting while keeping the swearing and screaming firmly on mute.

Things not achieved by me: A new job, shaking the dust of the country off my booted feet, global political optimism. Since the epidemic kiboshed all of the above fairly comprehensively there isn't really much I could do about it, so I propose not, for once, to feel guilty.

Losses: respect for the US and UK's political systems; any desire to live in either. 1.8 million COVID deaths, which is staggering enough to be faintly unreal. It will only get worse.

Things discovered by me in 2020: mask-construction, mask-wearing, hand sanitiser, working from home, Teams, Zoom and their horrible ilk, robot vacuums, white chocolate in lemon cheesecake, The Amazing Devil, console ownership, Becky Chambers, Vitamin D, The Witcher in both book and game form and the inevitable fanfic (was that all only this year? good lord), even higher than the usual levels of apocalypse-anticipatory grocery hoarding, sharing memes with my niece (the Destiel meltdown was a gift), American and UK politics as a rather nastily tragicomic spectator sport.

Resolutions for 2021: remember to brush my teeth in the morning, working from home has screwed with my usual home-leaving routine and I keep forgetting. Any further commitment, resolution-wise, seems incautious. I am confidently expecting 2021 to be as much of a shitshow, if not more so, and it definitely will be COVID-wise; there's slightly more hope that the US political nastinesses will die down with sane incumbents in office, and with any luck the UK will break up so that sensible portions of it can rejoin the EU. However, I am not sanguine, and will therefore make no further resolutions other than to keep my head down, survive and remain healthy.
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Yesterday was a public holiday*. Owing to the featureless slide of pandemic days spent working from home, I had completely forgotten about this, so I staggered out of bed at a quarter to eight as usual, placated the cats, watered the garden, sat down at my desk and cleared my inbox before realising, an hour later, that I needn't be working, actually. Apparently the pandemic and attendant socio-cultural wossnames is capable of delivering pleasant surprises occasionally. Pleased, I spent the rest of the Day of Reconciliation peaceably slaughtering raiders and supermutants in Fallout, so at least I was on theme.

Other tiny silver linings to this year's horrible black clouds: working from home means I am actively and somewhat more effectually druiding than usual. The giant granadilla vine in the big box died a few months back, which I honestly don't think was me, the neighbour's spirited attempt at Audrey II died at the same time, so I am darkly suspecting a granadilla-fancying disease. Possibly COVID. In the spirit of battening down the hatches in an apocalypse, I tried planting veggies again, which worked appallingly when I tried it when I first moved in here (I killed tomatoes! tomatoes are unkillable!), but which has seemed to benefit from the continuous attention. I now have broad beans, and spring onions, and fancy dark-leaved lettuce! One bean plant randomly died for some reason, I think something gnawed its feet off, I shall cautiously put a baby tomato into the gap and hope.



* Day of Reconciliation, which is, if you think about it, a bizarrely edgy and blood-soaked sort of commemoration, representing as it does two opposed military achievements: the Afrikaner victory over the Zulus at Blood River, and the founding of Umkhonto we Sizwe, the ANC's armed wing in the struggle years, and its subsequent campaign of bombings etc. Which didn't, I have to say, create nearly the body count of Blood River. I find the duality of the date to offer rather an odd notion of "reconciliation". More of a meaningful nod, with aggressive eye contact, from the new dispensation to the old. And ritualistically and slightly threateningly remembering war doesn't seem to me to be a good basis for peace, really.

My subject line is T S Eliot, weirdly, the one oddly rhythmic and rhyming bit in the middle of "Burnt Norton" which I've always loved, and around which I once wrote a largely unsuccessful science fiction story which was rejected, with a very nice note, by an sf magazine.
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Serious kudos to any Americans likely to be reading this, for having ejected the Orange Menace handily by democratic processes in the teeth of despair, distraction, astonishingly egregious voter suppression, media manipulation, a no doubt by this stage burning desire to rather eject him into the heart of the sun by cannon, and the determination of a resolutely blinkered subset of your population to cling to said Orange Menace in the teeth of corruption, racism, sexism, anti-intellectualism and the wanton and unnecessary deaths of in excess of 230 000 people. Also, to bring in the orange-ejecting election result in the teeth of an entirely lateral and unexpected broadside from the Supernatural fandom meltdown, which has catapulted Destiel to heights of trending despite the urgency of the election news. It's been a bloody bizarre week, is all I can say. Were I to have grandchildren, they'd never believe it. But it's deeply satisfying, that the best efforts of the bloody Republican corruption machine couldn't actually torpedo the election results. Y'all reasonable Americans have worked so hard, and the world is so grateful.

Can I also just say? Four Seasons Total Landscaping. It's an entirely symbolic and deliciously schadenfreude-laden ending to this whole sorry mess. Yes indeed does the Orange Menace exist, futilely and incompetently, between the sex shop and the crematorium. Snerk.

In other, unrelated yay-news, I have prevailed over the labyrinthine twistings of French banking websites! I spent twenty minutes on the phone last week with an utterly delightful French helpline lady whose English was, it transpired, only somewhat better than my French, which means we negotiated the conversation haltingly and bilingually, with much recourse to slightly frangled self-translation as things became utterly bogged down. The eventual upshot was that she couldn't help me with the account access issue, that needed to go through a different helpline, but she could undertake not to close my account while she sent me forms through the post so I could submit the necessary documentation.

I boggled a bit at doing technical cellphone access queries in French through another helpline, and made one last-ditch attempt at a web form, and the third version I found actually worked! a nice techie person has just sent me a charming email to say they have eradicated the extraneous zero in the phone number I originally uploaded, which I could swear I didn't actually insert myself, I have no idea where the system unearthed it, and it now dutifully sends me French SMSes in South Africa. This means I can access the account (it works!) and have now uploaded all the necessary documents, thereby rendering entirely futile both the desperate conversation with the lovely helpline lady, and all her forms.

But it's ok. I exist again, and have proven my existence in the nick of time, and in the teeth of language difficulties. I am exhausted, bloodied but unbowed. As is, I think, America. I'll take it.
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This is definitely an apocalypse. Global pandemic. Global warming. Plagues of billionaires. California is on fire. America is tearing itself in half while the Orange Menace sets about blatantly stealing the next election. The UK has vanished up its own Tory-privileged arsepipe. And, oh, yes, Cape Town had an earthquake. Just a little one, offshore about 2000kms south of us, but I was lying in bed reading Witcher fanfic at about a quarter to nine last night, and thought, odd if that's thunder, it's barely raining. Long, distant rumble, either thunder or someone starting a bad-tempered Harley Davidson somewhere offstage. Other Capetonians reported feeling actual vibrations, but I didn't, and the cats barely noticed. It seems fitting for 2020, frankly. At this stage I wouldn't feel particularly surprised at an alien invasion or a meteor strike.

My current movie diet is alternating wildly between disaster movies and the entire Studio Ghibli back catalogue. (For the record: The Cat Returns is weird.) And my reading and gaming habit has retreated firmly into fae realms and is refusing to leave. Amalur is beautiful and consoling, while still allowing me to beat up monsters and baddies to a satisfying extent. Toby Daye, the Seanan McGuire series, is considerably darker but still pleasantly distracting, and every time I grab another in the series off Kindle I am pleasantly conscious that I am feeding Seanan's cats. Finally, in the Department of Musical Hypterfixation, The Amazing Devil are, what, alt-folk? progressive folk? at any rate, occasionally a bit hit-and miss, but when they miss are only mildly pretentious (the curse of prog anything), and when they hit, are sumptuous, textured, catchy, emotionally throat-punchy and lyrically both witty and real. I am constitutionally incapable of listening to "Wild Blue Yonder" only once, if this was old school that bit of the cassette tape would be all stretchy and worn.

Day 102: shower thoughts

Thursday, 2 July 2020 08:51 am
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Gawsh, that was an unconscionably large posting gap. In the featureless slide of lockdown days it's fatal to get out of the habit of posting, weeks have drifted past before you know it. Something about the comparative blandness of days at home makes time go weirdly fast, even with the enormous and horrible events happening out there - they are still strangely distant.

I cannot tell a lie, however, my absence from Teh Intarwebs for the last couple of weeks has more than a little to do with the fact that I finished playing Witcher 3 and went straight back to replay 1 and 2 in quick succession, more or less in a spirit of enquiry. Did I hate 2 as much as I did first time round? oh hell yes, the Roche path is even worse than the Iorveth one. But I enjoyed 1 again, as much for its nostalgia value as anything else. While replaying I was struck by how similar in feel it is to DA Origins, just in level of graphics and underlying assumptions about gameplay, my guess would be that they came out in approximately the same year. (A quick google reveals I am almost correct: 2007 and 2009, respectively). Am now embarked happily on 3 again, which was the whole point of the replay (I will be completist or nothing, dammit). I am revelling in its beautiful design.

South Africa has yet, I think, to hit its true COVID peak, I suspect our worst times are ahead of us, so I am in no way complacent about this, but I am still reeling at how badly the whole thing is being handled in the UK and, particularly, the US. There is no excuse, absolutely none, for a major global power and highly developed nation to screw up disaster management this badly. I keep reading reports of Trump or Johnson doing their typical destructive flailing, and thinking, gods, they are actually trying to kill people, this is Scrooge's “they had better [die], and decrease the surplus population".

But a slightly different Shower Thought struck me the other night. If America were a fantasy novel, this whole thing would be a giant cautionary tale about the hideous energies unleashed when a Manifest Destiny goes wrong. Can you imagine how much, even with the cumbersome corruptions of the American political system to circumvent, Hillary would be kicking butt responding to this whole crisis? There would be none of this nonsense about science denialism, or not wearing masks, or opening businesses again. Her particular brand of energetic, hard-headed efficiency was clearly designed by merciful Cosmic Wossnames to lead the US out of this horrible thing with minimal loss. Trump stealing that election drove destiny off course, causing backlashes of cosmic energy which ensured that (a) he was the exact inverse of the Destined One, absolutely the worst possible person to respond to this particular challenge, and (b) everything would go spectacularly to hell in the most extreme way possible. Thus plagues and rains of fire and riots and murder hornets. Barring a plucky band of chosen heroes to overthrow the Big Bad, we're doomed.
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Well, my long years of hopeless fangirliness are certainly coming to a middle, which, it turns out, is useful amid the current geo-political ramifications. Clearly all these years of internet addiction, geekery and hanging out in fan spaces have been conspiring to prime me for the cultural moment in which it is essential to have a working understanding of the term "k-pop stans" in order to parse one aspect of the latest American political melt-down. Also, "#JUNGKOOK is the bat signal now".

(For those lacking the specific cultural context I have painstakingly acquired over years of dedicated frivolity: k-pop is Korean pop, which has a huge, vociferous, global, mostly young and female fandom with a highly communal concentration on Twitter and Instagram; a "stan" is an ultra-fan, or also a verb - to stan, to be slavishly devoted to/approving of. The Dallas police, hiss spit, incautiously advertised an app where you could submit videos of protestors doing naughty things, whereupon the k-pop fandom descended en masse and flooded it with fan videos, forcing it to shut down. They have followed a similar process in overwhelming nasty Twitter tags like #whitelivesmatter and other alt-right bullshit, flooding out the hatespeech so you can't find it among the joyous memes, videos and images of their k-pop idols. K-pop idols tend rather decoratively to the young male androgynous end of things, which I have to say must steam the homophobic right even further, heh. The most recent tweet I've seen was someone invoking the #jungkook hashtag to direct k-pop fans to spam Trump's twitter for his birthday. I live in hope.)

I am digesting my political news largely via social media, mostly Tumblr and Twitter and their wayward provision of links, and my curatorship of my feeds means I have a very left-leaning view of America's current horrors, but even so I am reeling slightly. It looks awful out there, in a bleakly inevitable sort of way, and I hope those of you who are unavoidably domiciled in the US are keeping safe, and sane. And that all this awful gives rise to something hopeful in the way of reform. And more instances in the k-pop category: people finding common ground in the unlikely Venn diagram overlap of hugely disparate groups whose point of coalescence is rooted in love for something rather than hatred.

#black lives matter.
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You know, in an internet age where "going viral" is an everyday and commonly understood term, you'd think that the average person would have enough awareness of the idea of spread and scale to not make bloody stupid decisions about their behaviour when the virus is, in fact, real.

The US situation is making my hair curl. My current theory is that Trump is, in fact, actively trying to kill people; I just think he's thinking of the victims as "not his voter base", i.e. "black". And that's going to bite him very hard in the butt, given that it's his asinine MAGA supporters who are clamoring in large physical crowds for the relaxing of lockdown in the few states that are actually being sensible.

Further thought: the coalitions of sensible states who are co-ordinating their responses so as not to infect each other is creating blocs which neatly mirror the starting point of any number of sf stories which imagine America split into separate countries. This is simultaneously horrifying and profoundly satisfying.

Virtual hugs to anyone in the US or UK whose government's responses are making them want to beat their heads against the wall.
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This apocalypse is weird. A small three-person brass band has just wandered down my road, tootling tunes; from the joyously loud clothing I would judge they are Minstrel Carnival remnants. I am not sure what they were trying to achieve, as lockdown and social distancing suggest no-one should be popping out of their houses with donations; it may be simply another manifestation of the same thing that led Italians to improvise opera off their balconies. In the dark times there will be singing about the dark times, apparently. I shall try not to read the fact that their first choice of song was "The Lion Sleeps Tonight" as an omen of some sort.

However, whatever its imperative, the mini-concert has just been somewhat heavy-handidly suppressed by a truck full of police, who bundled the musicians into the back amid considerable shouting and brandishing of hand sanitiser. Thereby, may I add, aiding the dissemination efforts of the coronavirus considerably more than the simple musical trio ever did. Presumably this is a lockdown enforcement, but it seems like an overreaction.

Even micro brass bands appear to make me cry. Although that may be the apocalypse talking.
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You know, modern life is completely surreal. The intersection of our stupidly huge global population and our stupidly pervasive communications tech means that at present normal social media interaction is basically holding a global pandemic up in the air for us to scrutinise its nethers, whether we want to or not. Really, human sanity is better served by not being able to make intimate anatomical dissections of the progress of a merry virus across the globe. I don't think our brains are equipped to handle all that awareness and implication. Or in fact, the inescapable realisation that a worryingly high proportion of global powers are in the chocolate teapot category of usefulness in addressing all this.

And it's such a stupid pandemic. I mean, it's like living in a very badly scripted B-movie apocalypse, its narrative drive is shot and its political figures have badly-characterised motivations and its timing is all off, who the hell thought this was a compelling story? It's the "meh" of viruses, a good bubonic plague would at least have genre patterns we could recognise and comprehend, and therefore feel somehow prepared to face. This loose, drifty thing is very difficult to grasp, if you're in the fortunate position of being someone who's not in a risk category: you're taking all the precautions at one remove, rather than trying to avert a clear and present threat to yourself.

We are still in the early stages here, the country's not on lockdown or anything, but they've closed schools and banned gatherings of over 100 people. The university sent their students home a week ago, I am working from home, and given that I was on leave for a week before that, have effectively been at home for two weeks. I have sent the nice cleaning lady home on full pay to cut down on possible transmission for both of us. The cats are enjoying my presence, and I am less exhausted and, weirdly, more upbeat, than I have been in months. Turns out being at home and not talking to anyone much for weeks at a time really does it for me - in fact, the tendency of my family and friends to check in occasionally by WhatsApp, while welcome, is giving me tiny micro-homicidal reactions whenever the phone beeps. I have made chocolate cake and put a lamb stew in the crockpot and unearthed three hitherto unsuspected bottles of Allesveloren port in the back of my booze cabinet, so that's the week sorted.

Escaping from reality is an essential aspect of surviving a pandemic: I am halfway throught the first Witcher videogame and the fourth Witcher novel, thoroughly enjoying them, and the fanfic is delightful. I have started a new Stardew Valley game on my shiny new Ipad, and there is an approximately metre-high stack of unwatched dvds next to the tv. Which I may ignore in favour of keeping the theme going by watching the Witcher on Netflix. My usual fridge/freezer/cupboard status ("could feed self for two weeks or party of six for four days without need for leaving premises") is approximately doubled. With the trifling drawback that I am facing a possible shutdown without supplies of either baking powder or fresh garlic, both of which were unaccountably available in the shops this morning, I think I am reasonably poised to sit this out.

I hope you are all fine, and uninfected, and as upbeat as possible under the surreality of the circumstances.

another five things

Tuesday, 23 April 2019 10:57 am
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  • I spent five days over last weekend pretty much flattened with a sinus thing, which manifested as killer headache + killer nausea, necessitating three of those days spent pretty much lying flat and wishing gently for death. It's a beautiful catch-22 - I wake up with the headache, which I can't medicate without eating something first, and I'm feeling too sick to eat. The anti-nausea meds take a while to kick in, and then kick me in the head so I sleep like the dead for about five hours, but I'm pretty good at wedging a quick slice of toast and two anti-inflammatories into the tiny window before I pass out, and when I wake up the headache has at least receded somewhat. But it wasn't a happy five days. 0/10, would not recommend.
  • Origin, that evil organ of the EA evil empire, celebrated my return to health yesterday by losing my entire games library, which is annoying as I'd been distracting myself during the illness bits in which I could actually remain upright by re-playing Inquisition. All of Mass Effect and Dragon Age, gone, as if they never existed. Then Origin had a hissy fit, booted me out the login, and refused to let me log in again. The usual tech-support Google search revealed numerous other people who've experienced the same thing and received only mockery and condemnation at the hands of the EA helplines. I am horribly struck by the ephemeral, conditional and precarious nature of the "things" we "buy" when such things are virtual constructs and we are simply licensed to access them at the whim of giant, profit-obsessed corporations. I hope a complete Origin re-install this evening sorts it out; if not, I may be forced to rush howling at EA's giant, oblivious ankles with an axe.
  • While sick, I re-read Katherine Addison's Goblin Emperor three times in six days, it seems to be pressing very specific buttons which require ritual re-immersion. On mature reflection, I think that this is because it's an intrinsically and topically anti-Trumpian narrative. The Current Disaster in the US presents the scenario of an old, complex, sophisticated structure designed to provide checks and balances on the presidential figurehead's running of the country, which has been subverted with pinpoint precision by inserting a venal, amoral toddler into the figurehead position, allowing him to co-opt, bypass and pervert the system. Goblin Emperor is an exploration, in utopian mode, of an old, complex, sophisticated structure designed to allow the figurehead (the Emperor) to run the country for the benefit of its nobles, which is joyously subverted, with pinpoint precision, by inserting an outsider, someone who has survived an abusive childhood while remaining an actual cinnamon roll, into the figurehead position, allowing him to co-opt the system into serving basic decency rather than privilege and control. I cannot sufficiently stress how satisfying it is; the more so because the novel does a more than decent job of exploring race issues through a fantasy lens. Also, for the record, Goblin Emperor fanfic appears to attract high-level writers, ability-wise, and is lovely.
  • I made Irish stew for jo&stv last night, because someone mentioned it in a fanfic and I suddenly had a jones. I used this recipe, mostly; the Guinness gives it a rich, dark gravy with a slightly silken texture, it's marvellous. The Jamie Oliver version does this weird thing with greaseproof paper, damped and scrunched on top of the stew for the first hour of cooking, which I've never come across before; presumably it's to keep moisture in, but it seems oddly specific. Why scrunching? why moist? It a mystery.
  • I hope everyone had a lovely Easter weekend! I really needed the four days off, I am still glandular and headachy after the sinus thing. My faculty also, in a hitherto unknown display of staff-centredness, closed us down at midday on Thursday, giving everyone an extra, informal half-day off. It transpires that the undergrad admin office has always done this, but no-one has ever told me about the tradition, with the net result that my unit has spent the last decade obliviously working the full pre-Easter Thursday. I am somewhat miffed about this. Fortunately my line management has just moved over to the Dean rather than the faculty manager, and the Dean's secretary is somewhat mama-bearish about staff privileges, so she carefully informed me and we all buggered off home early, rejoicing. The next three weeks are also four-day weeks, owing to voting day and Mayday public holidays, so hopefully I shall continue to gently recover. Maybe.

turf wars

Tuesday, 12 February 2019 07:18 am
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Warning: minor ideological rantage ensuing. If for no other reason than the first week of term, disorganised students are demanding my attention in all directions, Eskom is running random load shedding power cuts again, and I need distraction.

This is a very interesting article on the rise of TERF activism in the UK - TERFs being trans-exclusionist radical feminists. I'm familiar with what I find to be their deeply unpleasant ideologies from hanging out on Tumblr, where salvos in a TERF campaign occasionally come over my dash, in the ongoing TERF attempt to persuade (mostly young) feminists that "queer" is a slur and should not be used. (The above usually accompanied by deft rebuttals from the actual blogs I follow, who are more or less uniformly Sensible People). TERFs don't think that trans women are women, they insist on identifying them by their biologically male bodies, and have a series of frankly paranoid outrages about "male" bodies in female bathrooms and prisons, and the "erasure" of women by the inclusion of trans women in feminist debates. TERFs are, in fact, the Mrs Grundies of feminist thinking, and to my mind they personify a narrow-minded outrage that makes them horribly akin to the closed-minded frothings of the religious right.

I am a little blindsided by how angry and nauseous the whole TERF ideology makes me, it seems to prod me with pointy sticks deep in my personal organ of justice. I think TERFs are motivated by a horrible and toxic mix of rage and fear, and while rage and fear in themselves are probably a valid response to the damages enacted by patriarchal culture, what I can't forgive is the way in which TERFs choose to respond to their anger at and fear of male bodies and cultural identity by turning on the most marginal and already vulnerable people they can find who they see as being part of that male identity. They are, in fact, punching down, with considerable malice.

And their rage and fear comes with a side order of power-tripping and desire for artificially simplified discourse; they are punching down in the service of an attempt to render simple and clear-cut debates about identity and culture which are anything but. That's what the whole dog-whistling with "queer" is about: queer identity is necessarily complex, it demands recognition and celebration of identities and identifications which don't fit easily into the male/female/gay/lesbian boxes.

It's ugly and predatory, to identify an already vulnerable target and go after it with single-minded determination, but it's also blindly hypocritical. Because if women/feminists are damaged and victimised by patriarchy, how much more damaged and victimised are those women who are born into biologically male bodies, and into cultural assumptions about male identity, which make them, whether they like it or not, a part of it? If TERFs are rejecting maleness with such frothing hatred, how much stronger and more difficult is the response of a trans woman whose rejection of that "maleness" entails so much more active and instrumental a resistance of cultural labelling? Trans women deny the male body a thousand times more fiercely than any TERF with a bathroom fixation, and they go through seven colours of hell to enact that denial. Quite apart from the costs of physical transition, our culture is getting better at gender identity only very slowly, and it still encodes gender stereotypically in ways which make it difficult and painful to resist.

I like the linked article's comments about British feminism and its comparative privilege, lack of intersectionality, and links with colonialsim; it surmises that Irish and American feminists have in many ways grown beyond this absolutism because they have been forced to accommodate experiences of subject positions based on race or colonial experiences as well as gender. TERF ideology is possibly so maddening to me because it is so obliviously privileged, but that's an insight into its workings, not an excuse; above all, I find it inherently, unforgivably cruel.
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This is an absolutely fascinating article which talks about the current decline in sexual activity among young people globally. It's a thoughtful and reflective analysis, rife with stats which are very telling: increase in the average age at which young people first have sex, decline in teen pregnancies, decline in dating and marriage rates. The anecdotal reports of attitudes are also interesting - a sort of general malaise, with respondents, rather than being wildly angst-ridden about not getting laid, merely delivering a resounding "meh". The general feelings seems to be that sex, and sexual relationships, are hard work, and possibly not really worth it, and who has time anyway?

This fascinates me, if for no other reason than for over a decade now I've been teaching a segment on virtual sexuality within a third-year course on the history of the erotic, and despite consistently positive student comments about the course, have watched sign-ups drop to under half of the levels they were at when the course was first offered. I don't know if South African youth follow the same trends they do in the West and Japan, but I suspect they may, at least among the educated middle classes I see in the university context. I think it's a complex set of pressures which is giving rise to the decline, and I would imagine that general anxiety levels under our current terrible geo-political ramifications are probably co-equal causes with the rise of more abstract forms of online sex expression, porn and fanfic among them.

And the prevalence of virtual sex-substitutes is not, I think, a harbinger of doom: if nothing else, it suggests that virtual connection or virtual eroticisim can be sufficiently "real" and satisfying to the participant that they engender a reduced need to seek them out in the flesh. (I can testify to this myself. I have been single for over a decade now, and it's a comfortable state in which friends, internet interactions and fanfic embed me sufficiently in society and culture and a notional erotic that I'm not lonely, I feel connected and I really don't want or need to change anything).

More than that, though, I see this decline as having the potential to be weirdly positive, because the "meh" of relationship reactions outlined in the article must, I think, quite heavily implicate shifting gender norms and the rise of a more enlightened feminism among women. It's a sign of cultural growth, actually, for large swathes of heterosexual women to have reached the conclusion that no relationship is actually a hell of a lot better than a bad relationship. And a bad relationship is very likely to be one with one of the large swathe of male partners who have not contrived to rise above the misogynistic conditioning of their culture in order to offer something like equality of emotional labour. (The article's description of horrendous male expectations of sex learned from porn was chilling). The article mentions at one point that dating and sexual activity levels among lesbians don't, in fact, seem to have dropped in any equal sense, which seems significant.

I mean, I can see the whole post-Freudian landscape having quite healthily undermined bad relationships across the board simply because modern psychology encourages us to seek individual happiness without requiring us, as previous generations were required, to subsume our own needs to the cultural expectation of the relationship. But the fact remains that that kind of emotional self-sacrifice has always, always been more heavily demanded of women. It's almost inevitable, that relationships will decline in the face of women's realisation that by culturally accepted definitions relationships are so often bad and unfair, and particularly unfair to women. We have the tools to realise this now, and we're mad as hell and we're not gonna take it no more. Participation is, at least, something more within our control than actual male behaviour; female cultural capital has risen enough for awareness, and for women to make the decision to abdicate involvement, even if it is not yet high enough to actually change the game.

There is, of course, another level entirely on which a decline in sexual activity in young people feels potentially apocalyptic; if not Bowie's drive-in Saturday future from my subject line, it feels as though we might, in fact, be drifting into Tepper's version in Gibbon's Decline and Fall. Leaving aside genetic manipulation by benevolent-if-marginal Elder Races, a disinclination to procreate makes sense when current evidence suggests that the biosphere may not survive to support our children; our overpopulated and rapaciously destructive culture may be self-sabotaging in sheer self-defence.
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Rats, slipped a bit on the posting. I have been particularly tired over the last few weeks, I keep having these weird moments when I climb out of the car after shopping and am suddenly overcome by an all-over bodily lassitude such that I can't imagine where I'll actually find the energy to pick up the grocery bags and walk up the steps. Or I look up from reading Martha Wells on the sofa and realise my eyes aren't focusing properly and my entire person is winding down into that just-pre-sleep drowsy heaviness, and I should probably go to bed, except that it's 8pm, and going to bed that early is ridiculous.

And when I do go to bed, regardless of time or whether I set an alarm (I haven't for nearly six months now), I fall asleep immediately, and sleep deeply for exactly seven and a half hours, and then wake up, entirely unprompted. Often, given how tired I am lately and how early I go to bed, at 4.30 in the bloody morning. It is clearly not enough sleep. I wake up tired. I have always been a 9-hour sleep person, even 10 if I can get it, but my damned declining middle-agedish bod is regressing to teenage angst status and refusing to do what's good for it. It would probably help if I got some exercise, but I'm too tired. Yay circularity.

On the upside: Martha Wells. The Murderbot Diaries. Intelligent, funny, poignant sf and incidentally a beautifully-judged disquisition on the nature of identity, humanity and consciousness. And corporate greed. Highly recommended. (The link is to the Kindle page because that's what was on my desktop, because currently the Kindle is the only thing that stands between me and the pressing need to construct more walls in my house onto which to attach bookshelves).

Work is simultaneously winding down for the end of the semester/exams and winding up into the year-end exam committee process and preparations for the orientation/registration chaos of the start of next year. This may be why I am feeling tired, conflicted, and hideous kinship with those long strings of goopy smoked mozzarella you get when you lift a slice out of my characteristically over-cheesed deep-dish lasagne. I am also entertaining political despair, because, recent House gains notwithstanding, America, and also because several lovely Zim students in a row this week engaged me in impassioned discussion of the current Zimbabwean situation, which is breaking out in rapacious politicians who are, yet again, robbing their citizenry blind via financial fuckwittery, and have the whole thing teetering on the brink of yet another complete economic collapse. You wouldn't think there was enough actual structure left for it to collapse further. As I said to the young man yesterday, you think that at least Zim can't get any worse, and then it does. I don't see how our significant cohort of Zim students are going to pay their fees next year, there's no forex, which is awful for them, but is also going to deliver another blow to my Cherished Institution's slightly stretched finances.

In mitigation, I recommend reading everything David Roth writes on Deadspin in the way of ruthlessly dismembering political fuckwittery, specifically the Trumpian variety. I've just read Toward a working theory of what the fuck Donald Trump is even talking about and This is all Donald Trump has left, both of which are savage, biting, insightful dissections which leave Trump in appropriately raw and quivering lumps. Satisfying. But not, alas, assisting with the exhaustion.

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