there's an escaped fish
Friday, 23 April 2010 10:57 amThe writers of headlines for the Daily Voice billboards cause me much innocent, or occasionally scurrilous, joy. I have realised, after several seconds of mature reflection, that it's not just their propensity for linguistic games, it's also the fact that they clearly have a severely warped sense of humour and absolutely no social inhibitions whatsoever, and are thus far more My Tribe than I would expect to find attached to a low-class tabloid rag. Today's little gem:
TEARS AFTER ONION MURDER!
I have no idea why it's an onion murder - someone was bashed to death with a bag of onions? in a field of onions? while reading The Onion? maybe an innocent onion was ruthlessly slaughtered? either way, I laughed all the way home.
I am, of course, at home today, which is just as well, since I'm feeling like hell again - sinus trying to resurge into full-blown 'flu, glands all up and stuff. Phooey. However, am fortified against the pile of credit transfers which face me by two evenings of new Castle behind me, and tonight's planned two new episodes of Fringe ahead.
I also watched "The Beast Below", which is the latest Doctor Who episode, but the jury is still out on the current series. I am inclining very quickly towards thinking that the new Doctor is bloody well cast, he's producing a very nice blend of quirk, authority and charm, and taking in his stride the difficult task of providing a Tennant replacement when the Tennant bar was set so high. The episodes themselves, thought, while they're not causing Davies-style continuity rage, are also not producing the requisite degree of fangirly contentment on the narrative level. They're ... OK. "The Beast Below" was vaguely interesting, vaguely logical, vaguely worked. Vaguely. It just didn't cause me the deep narrative satisfaction of "Blink" or "The Girl in the Fireplace", and I am forced to face the possibility that Moffat may have his off days, or may be diluting himself too far. I am not yet losing hope, but I can't quite commit to this relationship for fear of being hurt.
On the other hand, the one-liners are still good.
TEARS AFTER ONION MURDER!
I have no idea why it's an onion murder - someone was bashed to death with a bag of onions? in a field of onions? while reading The Onion? maybe an innocent onion was ruthlessly slaughtered? either way, I laughed all the way home.
I am, of course, at home today, which is just as well, since I'm feeling like hell again - sinus trying to resurge into full-blown 'flu, glands all up and stuff. Phooey. However, am fortified against the pile of credit transfers which face me by two evenings of new Castle behind me, and tonight's planned two new episodes of Fringe ahead.
I also watched "The Beast Below", which is the latest Doctor Who episode, but the jury is still out on the current series. I am inclining very quickly towards thinking that the new Doctor is bloody well cast, he's producing a very nice blend of quirk, authority and charm, and taking in his stride the difficult task of providing a Tennant replacement when the Tennant bar was set so high. The episodes themselves, thought, while they're not causing Davies-style continuity rage, are also not producing the requisite degree of fangirly contentment on the narrative level. They're ... OK. "The Beast Below" was vaguely interesting, vaguely logical, vaguely worked. Vaguely. It just didn't cause me the deep narrative satisfaction of "Blink" or "The Girl in the Fireplace", and I am forced to face the possibility that Moffat may have his off days, or may be diluting himself too far. I am not yet losing hope, but I can't quite commit to this relationship for fear of being hurt.
On the other hand, the one-liners are still good.