enchanted ground
Sunday, 10 May 2009 01:54 pm![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png)
This was a really good adaptation, expanding out the rather sparse detail of the novel but remaining firmly within the feel and tone of the original - dark, offbeat, whimsical, with its own inexorable emotional logic. It's effectively a slightly more coherent and instrumental take on Alice in Wonderland, with its latent threat considerably more up-front. Coraline retains her slightly bloody-minded strength of mind and purpose, given quirky life by the puppetry, although I was a bit miffed that her final triumph is taken away from her, allowing her to be rescued by the introduced boy character rather than setting up her own calculated trap as in the original. Nonetheless I'll forgive the film that given that everything else was so true to the book. The stop-motion animated format was marvellously in tune with the story's rich grotesquerie, which in the case of the Other World performance of Miss Forcible and Miss Spink is almost, but not quite, too over-the-top (I may have been permanently scarred by the obese version of Botticelli's Venus ...) The mouse circus, on the other hand, is charming and not too cutesy, and the fantastic garden is a thoroughly magical addition (snapdragons, I want one). The Other Mother herself is also wonderful, morphing gradually into a spidery, threatening, spindly-fingered horror.
From the opening sequence's clever 3D framing and its occasional moments when the Other Mother's spider-fingers reach terrifyingly from the screen, the film's potentially gimmicky three-dimensionality is both beautifully in keeping with the story, and severely subordinated to it. I can't get over how real, how vivid and how magical the three-dimensionality is, particularly the more exaggerated moments, restrained to an elegant minimum, when things reach out of the action into the air midway between your seat and the screen and simply hover there, tangible and semi-solid. They transcend the two-dimensionality of the film world in an almost impossibly enchanted fashion - it's like seeing real magic embodied in space. The most vivid moments of this, strangely enough, were probably the opening sequences with the 3D logos, which are geometrically solid - implausible, science fictional, holographic realities in the mundanity of the familiar cinema setting. There was also a lovely moment in the end credits where the people sitting in front of us got up to leave, and wandered out with a winged bat-dog apparently circling their heads. I left the cinema with the rather sad feeling that any future 2-D film is, indeed, going to feel flat.
Horse, spoilers, stable door
Date: Monday, 11 May 2009 06:55 am (UTC)Would have preferred some of this post to be behind a cut.
Re: Horse, spoilers, stable door
Date: Monday, 11 May 2009 06:58 am (UTC)Re: Horse, spoilers, stable door
Date: Monday, 11 May 2009 07:44 am (UTC)Re: Horse, spoilers, stable door
Date: Monday, 11 May 2009 08:13 am (UTC)Re: Horse, spoilers, stable door
Date: Tuesday, 12 May 2009 05:32 am (UTC)Re: Horse, spoilers, stable door
Date: Monday, 11 May 2009 10:10 am (UTC)Re: Horse, spoilers, stable door
Date: Tuesday, 12 May 2009 05:32 am (UTC)Re: Horse, spoilers, stable door
Date: Monday, 11 May 2009 07:03 am (UTC)*clutches brow in artistic angst*
Re: Horse, spoilers, stable door
Date: Monday, 11 May 2009 07:48 am (UTC)no subject
Date: Monday, 11 May 2009 03:05 pm (UTC)no subject
Date: Sunday, 17 May 2009 08:40 pm (UTC)The 3d was excellent, and seems to be done with Circularly polarised light which frankly I would have scoffed at if Dr Who had configured his sonic screwdriver to emit it.