one day, when the tonguin' is done, we'll take our leave and go
Thursday, 21 January 2021 08:03 am![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png){kind=small}
freckles_and_doubtApparently we are in another part of the pandemic where we are singing about the dark times, and I have learned a new random collection of words, which is "TikTok shanty fandom". It is curiously pleasing that the TikTok sea shanty fandom exists, and that it randomly builds multi-part shanty versions which disparately add a voice or instrument line in a fine spirit of emulation and community. The version below of the current viral sensation "Soon may the Wellerman come" loses me a bit when it adds the canned beat and starts remixing, but it's the best quality edit of the first part I can find. (Also, the first bass addition, the cheerful blonde dude in the cap who basically started all this, has a completely phenomenal bass voice).
This is a bloody catchy piece of music, and I love what the communal treatment has done to it, but it's also fascinating and faintly horrible that it's become a viral meme at this point in time. I mean, yes, it's catchy and we're all bored, and it's also communal and we are all relying on each other very heavily through the internet to beguile us through this crisis. It is curiously akin, in its creative/collaborative spirit, to making bread. But it's even more interesting in purely thematic terms.
This is a whaling song. It arises from the nineteenth century whaling industry in New Zealand, major participants in which were the British Weller brothers, who built and lost a small empire in Otago in the 1830s, both running and supplying whaling ships. The Wellerman, with his "sugar and tea and rum", is bringing supplies to the whalers while they pursue their whale, and while they look forward to the day when the whale is caught and "the tonguin' is done" (tearing the blubber off the dead whale in strips, eeuw).
But there's a lot more going on here. The accounts I've been able to find are either "yay NZ industry" or "boo dead whales", and comparatively few mention the fact that the whalers were not salaried, they were paid in supplies, in fact, in the "sugar and tea and rum" carried by the Wellerman. Who was thus both boss and supplier, in a little closed and incestuous loop which gave all the power to the Wellers, who did indeed grow rather rich on whaling and supplying whaling ships, at least before the whale-oil bubble collapsed. The song is about entrapment, the ship hooking and endlessly being dragged by the whale, the whalers endlessly bound into the work/eat cycle of their moneyless employment, which ensured they couldn't actually easily leave it, because they could build up no savings on which to do so. "The Wellerman" is the whaling version of the coal-miner's "Sixteen Tons" - another day older and deeper in debt, I owe my soul to the company store. It speaks, under its jaunty tune, to pandemic and lockdown because of that claustrophobic sense that you can't get out.
It also implicitly speaks to our current late-stage capitalism, and its absolute disregard for the wellbeing and prosperity of the workers it exploits. The whalers under the sway of the Wellerman are desperately akin to the Amazon wage-slaves who are slipping into poverty while Jeff Bezos accumulates billions. While I love the song and its communal expression, it has also made me incredibly depressed, because it suggests that there is something fundamentally broken and intrinsically unlearning about humanity: nearly two hundred years ago we were not only slaughtering whales, we were exploiting the workers so a tiny elite could make money, and we're still doing it. Slavery, and indentured service, and exploitative and inhumane companies who care about money and don't care about people and deliberately locked them into service so they couldn't escape, are baked into our cultural DNA. I hate that. I hate that America is still fighting to implement a minimum wage which has been fought over for so long that it's no longer a liveable amount. I hate that the "New South Africa" notwithstanding, there are people digging in our bins every time we put them out, and the divisions between our poverty-ridden rural or township citizens and the wealthy commercial or political classes are huge and growing huger. We've always done this, how can we stop doing it?
It's giving me a micro-version of the grief and despair I felt when America elected Trump: that there is a segment of humanity - capitalists or Trump supporters - whose thought processes are so alienatingly inhumane to me that I can't feel any sense of connection to or kinship with them. And their inhumanity is dominating the directions our culture takes, precisely because it is exploitative and uncaring, and tramples the people who feel otherwise. And it's a lot of work for a sea shanty to be doing, but we're all trapped in this, working endlessly at awful, destructive jobs for which we are paid insultingly and from which we cannot escape, because the system has put us there and keeps us there deliberately. All we can do, apparently, is sing about it.
Aargh. And I'm tired and in the middle of exam committees and virtual registration, and losses and dissolutions are characterising my social circle, and I have a sinus headache, and it's hot, so probably I'm more pessimistic than I should be. But aargh.
This is a bloody catchy piece of music, and I love what the communal treatment has done to it, but it's also fascinating and faintly horrible that it's become a viral meme at this point in time. I mean, yes, it's catchy and we're all bored, and it's also communal and we are all relying on each other very heavily through the internet to beguile us through this crisis. It is curiously akin, in its creative/collaborative spirit, to making bread. But it's even more interesting in purely thematic terms.
This is a whaling song. It arises from the nineteenth century whaling industry in New Zealand, major participants in which were the British Weller brothers, who built and lost a small empire in Otago in the 1830s, both running and supplying whaling ships. The Wellerman, with his "sugar and tea and rum", is bringing supplies to the whalers while they pursue their whale, and while they look forward to the day when the whale is caught and "the tonguin' is done" (tearing the blubber off the dead whale in strips, eeuw).
But there's a lot more going on here. The accounts I've been able to find are either "yay NZ industry" or "boo dead whales", and comparatively few mention the fact that the whalers were not salaried, they were paid in supplies, in fact, in the "sugar and tea and rum" carried by the Wellerman. Who was thus both boss and supplier, in a little closed and incestuous loop which gave all the power to the Wellers, who did indeed grow rather rich on whaling and supplying whaling ships, at least before the whale-oil bubble collapsed. The song is about entrapment, the ship hooking and endlessly being dragged by the whale, the whalers endlessly bound into the work/eat cycle of their moneyless employment, which ensured they couldn't actually easily leave it, because they could build up no savings on which to do so. "The Wellerman" is the whaling version of the coal-miner's "Sixteen Tons" - another day older and deeper in debt, I owe my soul to the company store. It speaks, under its jaunty tune, to pandemic and lockdown because of that claustrophobic sense that you can't get out.
It also implicitly speaks to our current late-stage capitalism, and its absolute disregard for the wellbeing and prosperity of the workers it exploits. The whalers under the sway of the Wellerman are desperately akin to the Amazon wage-slaves who are slipping into poverty while Jeff Bezos accumulates billions. While I love the song and its communal expression, it has also made me incredibly depressed, because it suggests that there is something fundamentally broken and intrinsically unlearning about humanity: nearly two hundred years ago we were not only slaughtering whales, we were exploiting the workers so a tiny elite could make money, and we're still doing it. Slavery, and indentured service, and exploitative and inhumane companies who care about money and don't care about people and deliberately locked them into service so they couldn't escape, are baked into our cultural DNA. I hate that. I hate that America is still fighting to implement a minimum wage which has been fought over for so long that it's no longer a liveable amount. I hate that the "New South Africa" notwithstanding, there are people digging in our bins every time we put them out, and the divisions between our poverty-ridden rural or township citizens and the wealthy commercial or political classes are huge and growing huger. We've always done this, how can we stop doing it?
It's giving me a micro-version of the grief and despair I felt when America elected Trump: that there is a segment of humanity - capitalists or Trump supporters - whose thought processes are so alienatingly inhumane to me that I can't feel any sense of connection to or kinship with them. And their inhumanity is dominating the directions our culture takes, precisely because it is exploitative and uncaring, and tramples the people who feel otherwise. And it's a lot of work for a sea shanty to be doing, but we're all trapped in this, working endlessly at awful, destructive jobs for which we are paid insultingly and from which we cannot escape, because the system has put us there and keeps us there deliberately. All we can do, apparently, is sing about it.
Aargh. And I'm tired and in the middle of exam committees and virtual registration, and losses and dissolutions are characterising my social circle, and I have a sinus headache, and it's hot, so probably I'm more pessimistic than I should be. But aargh.
no subject
Date: Thursday, 21 January 2021 11:13 am (UTC)Would you mind terribly if I cross-posted the Wellerman section to my LiveJournal blog? What you've written chimes so much with how I regard things, but you've written is so much better.
Thanks,
Bronchitikat (at LiveJournal)
BTW - not being all that Tech-y, it'd be a 'cut and paste' Attributed-with-many-thanks job
no subject
Date: Friday, 22 January 2021 06:51 am (UTC)no subject
Date: Friday, 22 January 2021 11:27 am (UTC)We are indeed surviving, in no small part, I reckon, due to the fact that Husband retired, after 41 years continuous paid employment (which I realise is something in itself these days) about a week before Lockdown Mk1.
Fortunately he had all those piles of Official Paperwork which had been 'put aside until I have the time to deal with them' to keep his mind occupied!
This time round he's better able to cope, poor man.
But yes, agree with you entirely about the shambles. Even more glad we don't live Across the Pond! At least we have an NHS, despite years of cutbacks.
Hoping and praying the Labour Party can get themselves into at least a semblance of an Opposition and Credible Alternative to this money-grabbing lot!
no subject
Date: Saturday, 23 January 2021 12:10 pm (UTC)BTW - well done with your gardening. I'm currently seeing what will survive a city centre south coastal winter (with frost at times). Currently the lobelia (usually grown as annual bedding) still have the odd flower, but are beginning to look somewhat the worse for wear, as is the begonia (may I should bring that in.)
Bronchitikat