mindless maggot glare

Wednesday, 14 January 2009 09:49 am
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Fortunately, Jawas appear to have left the house relatively unscathed. Possibly they were very small, discreet Jawas. I did, however, have an icky start to the day in discovering that the rubbish bin was a squirming, writhing mass of maggots (sorry, [livejournal.com profile] schedule5), causing me much swearing, splashing around of disinfectant and stomping around with my skirts kited up to my waist. The way the grubs ooze blindly off in all directions when you disturb them... eeeeuw. My skin is still crawling. Bloody hot weather.

Apart from the rot at the heart of society, another Baudrillardian moment, sigh. The local billboards in the last two days have vouchsafed us the headlines "SNAKES ON THE PLAIN" (presumably outbreaks of interest to herpetologists in the low-income suburb of Mitchell's Plain) and "SHAKES ON A PLANE" (engines on cut-price domestic airline flight burst into flame mid-air, causing trepidation in passengers). This worrying trend demonstrates The Triumph Of The Title in a sense quite apart from headline smartarsery. It doesn't matter what that completely ridiculous movie was actually like, its title is now embedded in our cultural zeitgeist. More than that, its meaning and currency are entirely in its label. The surface tells you everything you need to know about the content to the extent where it is the content. It remains to be seen whether 2009's claim to the Snakes slot is as transparently substanceless. It's called Lesbian Vampire Killers. I think its inherent ambiguity flaws it, personally.
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Apparently an Iraqi journalist, with commendable restraint and understatement, threw a shoe at George Bush. (Rotten eggs, dog shit and a small grenade would also not qualify as excessive). It appears that throwing a shoe is a particularly marked gesture of contempt in Middle Eastern custom, although I have to agree with Making Light that it's hardly a friendly action in any cultural context1. In my early years of high school I once threw both shoes (leather sandals, IIRC) at some particularly tormenting boarding school denizen who had celebrated my arrival in the hostel by announcing to the entire dining room my (entirely fabricated) romantic involvement with the school's biggest geek. I was a truly mousy and introverted schoolgirl basically incapable of either romantic involvement on any terms or actual acts of violence, so in that context throwing my shoes at the little bitch was an emblematic placeholder for ripping her head off and bouncing it against the wall, something I devoutly hope larger and more determined victims have achieved in the intervening years. I really didn't enjoy boarding school. It seems to turn even quite intelligent and potentially decent girls into ravening sociopaths2.

All of this shoe-throwing is leading, by devious ways, to The Nutcracker, the Cape Town Ballet's version of which we saw yesterday at a matinee in the company of Da Niece. I'd forgotten what a charming, if slightly saccharine, fantasy the story is: little German girl is given a nutcracker shaped like a prince at a Victorian Christmas party, and subsequently dreams his transformation into a real prince and their journey into a wintry fantasy realm filled with dancing flowers and snowflakes and colourful ethnic performances and what have you. In order to be worthy of this Narnia-esque world (and one forgets quite how embedded that idea is in Western story) she intervenes in the fight between the rats and the toy soldiers by throwing her shoe at the King of the Rats, a somewhat dashing figure who, I have to say, I quite fancied despite Da Niece's palpable unease at the rat army. In this case the thrown shoe apparently kills him outright, which may have been the Iraqi journalist's actual subliminal intention in tossing a boot at Dubya. Only, alas, in children's fantasy are these idealised outcomes possible.

The matinee performance was notable not only for a slightly less than professional veneer (a large number of children in the cast, and lead Snowflakes who both clumped and distinctly wobbled) but also for the audience, in which I'd say about one person in four was female, under three foot high, and riveted to the action with slightly feral intensity. The whole ballet made me once again realise how artificial and stylised ballet codes actually are, but this clearly doesn't stop small girl-children from buying into the notion of the beautiful, floaty ballerina: during the walk back to the car, half the kids were either trying to turn pirouettes or to walk on their toes3. I bought into the ballet thing myself when I was a kid, did lessons for years and read all the Lorna Hills there are, but it's one of those interests where the ideal is considerably more appealing than the reality. Apart from the anorexia and injury, ballet is only really beautiful if you squint a bit and ignore the details - the strained positions, the dodgy gender politics, the clunky overstatement. I seem, tragically, to have lost that particular willing suspension of disbelief displayed by balletomanes and children: I'm not sure if I should be sad or proud.



1 With the sole exception, now that I come to think of it, of throwing old shoes after just-married couples as a good luck thing. What's with that? deliberate invocation and thus inversion of the negative implications? Or an implicit confirmation of my own somewhat cynical view on marriage as a social institution?

2 If only, in my case, mentally and wistfully.

3 A manifestation rife with the potential for slightly amusing disaster.

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I have a Really Nice Boss, TM. Yesterday, while I was fighting through board schedules, progression coding meetings, academics asking puzzled questions about same, orientation order deadlines, endless strings of students panicking about exclusion and a phone ringing more or less continuously, she sent a runner down to my office with a bar of chocolate and a can of Red Bull. I've never done more than cautiously sip a Red Bull and wrinkle up my nose: tastes like shit. On the other hand, about ten minutes after holding my nose and downing the whole thing, cue sudden alertness, a fit of hysterical giggling and an afternoon spent bouncing off the walls in maddened efficiency. That stuff works - pity about the taste. Also, this morning I seem to be hungover, which I somewhat resent given that I last tasted booze on Sunday.

This is a nicely balanced article about musicians who license their songs for advertising, and the pros and cons thereof. It's particularly apropos because I've been bugged for two weeks by Santana's "Smooth", which was recommended on one of [livejournal.com profile] grumpyolddog's lists as being "horny" (I have to concur), but which I'm vaguely associating with whatever the hell the current cinema ad is that uses it, thus wrecking the effect. On the upside, it is a testament to the failure of modern advertising that I remember the song but am completely unable to remember the brand, or even the nature of the product. As corporate sellouts go, it's peculiarly pointless.

Back to my board schedules, which are infesting the greater part of my weekend. Sigh. On the upside, I'm about halfway through rewatching Torchwood's first season, in preparation for Season 2. I'm remembering why I love the series so much. It's magnificently silly.
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Generally, I'm happy to say, the complete non-profile of this blog means that I don't get a lot of spam - I think I deleted one comment about four months ago. But apparently the combination of recent keywords - certainly Sarah Palin, but possibly also divvils, imbecility, spitting and "hideous occultic deformity" - seems to have drawn the political spambots out of hiding. Resulting in the following comment to yesterday's post:

has mccain thrown the election?
John McCain, to the chagrin of his party, threw a gutterball when he selected that ridiculous creature from Alaska as his running mate. The Senator from Arizona who - for better or worse - can't tell a Baptist from a snake-handler, doesn't know what he has on his hands. Mayor Palin belongs to the "Dominionist" movement, a cult whose "support" for Israel is highly suspect (the Jews must be gathered in Israel for the Coming of Christ, who will then "perfect" them as Christians). We'd likewise be interested in her position vis-a-vis the infamous 13th forgery known as "Revelation 2:9." McCain's obvious ignorance of these matters has alienated a sizable portion of both the Orthodox and Reform Jewish communities. He had a clear opportunity to nominate the young congressman from Richmond, Eric Cantor, but chose instead to align himself with the sketchy Governor from Alaska, a lady who once tried to ban the teen classic "I Capture the Castle" from her local library. McCain's choice wasn't simply an insult to Jews, but to thoughtful Gentiles as well. Let's hope that he realizes his error before it's too late.
Cordially,
Matthew Anger
We gloss for a moment over the misguided aim of the spambot, choosing to target a South African Gentile blogger whose focus subjects include sf, fantasy, Cape-Town-fondling and whinging about academia, and whose sole mention of Sarah Palin has been to make sly digs in passing at her choice of spectacles. Inappropriateness aside, the register fascinates me. The spambot is clearly two things: (a) not a supporter of Sarah Palin, and (b) Jewish. Beyond that, it's all a bit foggy.

The Jewish Spam-Bot (henceforth JSB) is considerably more literate than a lot of spam, but I'm amused by the disconnect between the restrained "cordiality" of the tone and the frothing paranoia of the content. Most terrifyingly, the American Presidential race is apparently entirely about religion, as Baptists, Jews and snake-handlers jostle in happy profusion. (This probably wouldn't be as amusing if I hadn't just watched that X-Files episode about snake-handling and divvils). The JSB is off on its own mission, striking wasp-like at issues I cannot see as central - it's certainly not an Obama-happy Democratic McCain-hater, and there's a curious lack of McCain-hatred in the anti-Palin frothing. McCain clearly doesn't have a position on the Jew question, and is thus by-the-way, and the 'bot is refreshingly uninterested in whether he did or didn't deliberately shoot his presidential chances in the foot with a moose gun.

And as for "the infamous 13th forgery known as Revelation 2:9", a quick Google mostly leaves me stunned at the gnashing facility with which a broad spectrum of fundamentalists can read "some Jews are not true Jews" as "all Jews are Satan." You do that in an essay, I scribble annoyed green remarks about misreading, stretching, READING properly, SUPPORT your statements, "this makes no sense" and, oh, yes, CONTEXT!

There's no hope for it, all that politics and snake-handling calls for a unicorn chaser. I'm a bit surprised to find myself identifying this book as a happy childhood reading memory, since Elizabeth Goudge has more than a slight tendency towards the realm of the syrupy, the uplifting and the twee; also, she comes perilously close all to often to the Christian allegory which pissed me off in Narnia; fortunately it isn't as prevalent in Little White Horse as it is in the weird Heaven/Zodiac elements of The Valley of Song. The Little White Horse is a novel I still read occasionally; it's an enchanting setting, a sequestered Victorian mini-kingdom peopled by loveable eccentrics, animals with delightful personalities, tragic love stories, ancient enmities, sumptuous food and drink, and suitably dark but redeemable villains. The heroine is full of personality and enterprise, and the whole thing is told with pleasingly witty and occasionally off-the-wall detail. (The tragic love story hinges on salmon-pink geraniums). The titular little white horse is used perfectly as a distant, enchanting icon, an almost-attainable ideal wrapped about with lovely constellations of moon and sun imagery. This is something to read when the world is simply too complicatedly dark, and you want some innocent pleasure. I promise, it's only occasionally twee.
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Outside it's windy and bucketing with rain, and I'm as happy as a duck in a puddle. Personally, I welcome our new wintry overlords. But I'm odd that way.

I have one thing to say this morning, which is that everyone should read Cory Doctorow's Little Brother, on the grounds that it's essential subversive propaganda for the age of Bush, spreading via Creative Commons like a particularly lively meme. I just read it in a giant gollup - it moves fast and is a rather beguiling adolescent coming-of-age story as well as a call to arms and an indoctrination to hack.

I shall now head off to introduce oblivious third-year Humanities students to the joys of Internet sex, feeling, for some reason, extra subversive.

boys keep swinging

Friday, 18 April 2008 08:44 am
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This site (gay site, not madly safe for work) just pushed a whole lot of my academic buttons simultaneously, causing my brain to momentarily freeze as it was overwhelmed by all the appropriate jargonistic kutchababble. This is a bizarre intersection of fan art and slashy sensibility with Disney - Disney heroes re-imagined as underwear models.

The whole thing fascinates me because of its layering of transgression and inversion. As fan art it plays beautifully and artistically with animation's inherent tendency towards essentialism and idealisation, the buff male Body Beautiful in all its abstracted glory. It's also a rather fun exploitation of Disney characterisation - those "models" leap off the page at you, the classic model poses given considerable sophistication because you're aware of the character's construction from the films, which I have to say the artist invokes with a great deal of skill. They become the familiar personality with a new, highly sexualised dimension, which is one of the more obvious and immediate subversive responses to the Disney monolith's squeaky-clean image. Fan art of any sort is about filling in spaces, and sex in the Disney oeuvre is a particularly gaping absence.

But it's not just sexualisation of Disney, it's homoerotic sexualisation of Disney, taking it just one step further into transgressive inversion given the conservative values the studio projects. There are some rather fun critical responses to Disney which talk about homoerotic anxiety in the animation of male figures: in the early days of Disney the artists and animators were exclusively male, and you can see how a kind of locker-room mentality might easily develop around the representation of the idealised female form in animation. Idealising the male form becomes a lot more dodgy, particularly back in the early part of the twentieth century, and I suspect this kind of anxiety is one of the reasons why early Disney princes are a bit cardboard-cut-out. Conversely, they're also rife with suppressed homoerotic potential, which this artist joyously exploits.
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OK, this is officially ridiculous. Lunch with the visiting-from-exile [livejournal.com profile] starmadeshadow yesterday, which was lovely, except that in our post-luncheon wander around the bookshop I managed to somehow slip or turn my ankle on the (dead level, non-slippery, unboobytrapped) floor and wipe out spectacularly, describing a graceful 90o forward arc to measure my length on the floor. I have a sprained left ankle, bizarrely bruised right toe and extremely battered knees, as well as a random assortment of other bruises at odd spots all over my front elevation, and am hobbling like a Pratchett crone. I feel very silly. I've also lost count of the number of times I've done this sort of thing; I'm not sure if it's a good or bad thing that I seem to be evenly distributing the nadgered limbs (in order over the last fifteen years, left knee dislocation, left elbow break, right foot sprain, right wrist sprain, coccyx bruise, epic butt bruise, and now right knee bruising and left foot sprain. I'm seeing a pattern here. Still missing: right elbow, left wrist and, for a final encore, presumably the neck. I may have to put the whole thing to a catchy banjo backing and sing it).

I have no idea why I suddenly slip on a dead level floor: my current theory is an invisible iron bar, à la Wizard of Oz. Also, what's with the (generally very sweet) impulse of people to dash over and help you up the instant you hit the ground? I was in enough pain and shock that all I could do was lie there for a couple of minutes until my vision cleared and I was capable of coherent thought, but I was vaguely conscious that my gasps and vague mumblings were causing concern in the stratosphere directly above the circle of feet.

Good news from [livejournal.com profile] wolverine_nun: the small pneumatic child is doing a lot better, and the doctor is talking about releasing her from hospital early in the week. In a not unrelated effect, my washing line has suddenly become inutterably cute lately, and rather given over to uncharacteristic pink:



The whole helping-w-n-out-with-laundry thing would have been a lot more effective if it hadn't decided to rain buckets overnight.

In the Department of Random Linkery: Henry Jenkins, my favourite media guru, reproduces an anonymous student's thoughts on Anonymous. It's an interesting historical outline, suggesting that Anonymous wised up very fast about direct and illegal threats or attacks on scientology, and are morphing rapidly into a media awareness gadfly rather than a bunch of destructive hackers.

Last Night I Dreamed: as an unhappy child in a boarding school somewhere (presumably this comes from reading Libba Bray for two days) I climbed out the window, pursued by a cabal of nasty bullies, and went for a fly. Drifting around in the upper atmosphere I was pleased to see that the young African prince, also an unhappy school inmate, was out in his flying Cadillac: we presumably escaped together.
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Weekend of Busyness, that was, what with the mad socialising and all. [livejournal.com profile] mac1235 and [livejournal.com profile] tngr_spacecadet are now safely married, and presumably resting the well-earned rest of the post-wedding-stress traumatised even as I type. Apart from exceptionally good food and freely-flowing champagne, I also scored two Decemberists albums courtesy of [livejournal.com profile] short_mort and [livejournal.com profile] strawberryfrog, who took pity on my benighted South African disorganisation. (It is a tragic fact that I went into Look and Listen the other day specifically to buy Decemberists, and wandered lostly for about fifteen minutes while absolutely, totally and completely blanking on the name of the band. I had a sort of vague conviction their name began with a 'P'. In my confusion and dread I bought more Bowie instead. That's my excuse, and I'm sticking to it). Decemberists make me happy, their lyrics tend to the quirky and every now and then a song hits the necessary levels of catchiness to groove my ploons completely.

The wedding was lovely in a lot of ways, a close family feel, but it brought me hard up against my own damned hang-ups because it was a church service, and one with a fairly evangelical bent. This is difficult for me, given the following: ExpandLongish murblings, so I've cut them. )

Last Night I Dreamed: I was the lead singer in a fairly amateur rock band, mostly standard young gothy males, performing in a huge basement music shop. Despite the classic dream feeling of unpreparedness I found myself singing the first number confidently, and I actually had a good voice. (I don't, in real life. I can hold a tune. Tone or volume, not so much). But for some reason I was not only singing but playing the drums, and I managed to break one of the drumsticks halfway through the song. For the second song they took away the drums, and I tried to provide a rhythm backing by tapping on my music stand with the broken drumstick while singing. For the third song another band member took over lead vocals, and I ended up feeling a bit embarrassed and marginalised and putting in occasional harmonies. Then I looked around and realised that the basement shop was jam-packed with hundreds of beautiful little teenage girls, all dressed to the nines and watching in polite incomprehension as we belted out what were clearly classic rock numbers from the 60s and 70s, which were thus completely incomprehensible to Today's Youff. Fortunately at that point the book I'd left on my nightstand fell abruptly and noisily off the pile, which will teach me to leave it open and precariously face down for maximum spine breakage, and I woke up with a hell of a jump. Bit of a relief, really. Thin White Duke fixations notwithstanding, I've never had any actual desire to perform in a rock band.
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Internets! Did you miss me? I missed you! The Evil Landlord awoke on Saturday morning, decided that this random rebooting thing was interfering unacceptably with his lawful computer gaming, and wandered off with his computer under his arm to get it Seen To. We have consequently spent three quarters of the Easter weekend without even sulky intermittent teen tantrum access to teh internets. I survived this surprisingly well, all things considered.

Worst things about Easter:

1. It seems to inspire Sid the Sinus Headache to new and ever more vicious heights of pain. I woke up on Sunday with him sitting over my left eye, kicking things. Mostly me.
2. Consequently forgetting completely that I was supposed to spend the whole weekend updating my hapless Masters student's thesis on Tolkien. While I plead in extenuation that I didn't have internet access and thus couldn't read her increasingly plaintive reminder emails, basically I am a Bad Supervisor and probably deserved the headache. Someone suggested last night that it was proactive karma, on the same principles as reannual wine. They were right.

Best things about Easter:

1. 4-day weekend. I think I've actually caught up on sleep, for the first time in about three months.
2. Easter chocolates thereafter go on sale. Somewhere in my future is me biting the head off a giant dark chocolate bunny. A cheap giant dark chocolate bunny. (How cool is it that tacky kitch chocolate easter shapes are now in grown-up dark chocolate?) Pre-emptively, I'm going for a dental checkup this afternoon.

Which brings me to the weird topic of Easter symbolism. Bunnies and chicklets and eggses, o my! They make, basically, no sense. They're mad carryovers from the original pagan spring festival, which celebrates life and rebirth and baby creatures and, probably, when you get down to it, screwing. To slap the whole Christian crucified-Christ thing on top of it is extremely incongruous, even given the risen-from-death motif. I remember the Baptist preacher, way back in the days when I was a boring born-again1 schoolgirl, trying desperately to claim that chocolate eggs represent the stone rolled away from Christ's tomb, and even back then I had an embryonic version of the response I now slap into the margins of undergrad essays in bright green ink, viz. "You're stretching the metaphor, read in CONTEXT!"

I actually rather like the way religions nick motifs from each other on an ongoing basis, suggesting that most human spiritual experience runs in well-worn grooves and Jung might have had a point, after all. All religion is postmodern. It's cobbled together from fragments of other religions which appealed to the cobblers as meaningful, powerful and likely to get people to do what the cobblers want. Of course, having engaged in pastiche with the enthusiasm of rutting bunnies, they then attempt to refigure the whole shaky collage (aka load of cobblers) as Absolute Meaning and Totalitarian Discourse, which by all the rules of postmodernism you're not allowed to have, which possibly explains absolutely everything I always hated about religion. It's conceptually inconsistent on the meta level as well as internally. *is pleased with own random insight*

Oh, yes, forgot to add. Best things about Easter:
3. Finished the book.

Last Night I Dreamed: I occupied a rather beautiful modern larney house, all glass and split levels, in a city somewhere, possibly New York, and was hosting a gathering in the giant studio to show off my husband's latest artworks to a select bunch of critics and fellow artists. Said husband was all angsty and paranoid about the arrangements. He may, for at least some moments of the dream, also have been David Bowie, so I guess that fixation isn't dying down as fast as I thought. Sigh.



1 Not, I have to admit, with any real degree of conviction.
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I woke up this morning with a very vivid memory of the department store in the town in which we lived when I was in lower junior school - I think I must have dreamed about it. It was one of those old-fashioned, faintly larney stores with umpteen floors with clothes and fabric and household goods and what have you, and a lift attendant, and also one of those weird old cash systems where receipts and money were put into little brass capsules and shot away through a complicated series of tubes by air pressure. (The same system I was, in fact, discussing with James only last weekend, in the context of the bizarre note-sending system in a velvet-lined Berlin nightclub frequented by Brian Eno and David Bowie. James was told about it by Brian Eno. Strange but true).

I remember the department store with pleasure, but in fact what I mostly remember were the tills, about which I obsessed as a child. They were those huge, chunky, old-fashioned ones with the numbers which popped up on cards, and the buttons were little metal cylinders with a concave end, ranked with different banks of colour, and they depressed with a satisfying click. I used to lust after those buttons to a quite unreasonable extent - I'd actually have vivid dreams in which I was almost, but not quite, allowed to press them. I have no idea why. Something about the tactile pleasure of that "click", I think. I suspect I was an odd child.

Dept. of Random YouTube: courtesy of sf writer Elizabeth Bear, a new bit of viral wossname, this time directed against Scientology. Spread the word! this is one viral campaign behind which I can, so to speak, get.



Off now to consume vast and unnecessary quantities of food at the Hussar, by way of celebrating My First Paycheck. Possibly it's all worth it.

shapes of things

Thursday, 17 January 2008 08:43 am
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The maddened billboard poet of the Village Voice is back! Yesterday's headline:
DOP LORRY DROPS OOM!
Note the characteristic short, punchy words, the mixture of English and Afrikaans for max colloquial effect, and the neat use of assonance. As usual, it's also suggestive and tantalising rather than informative about the actual story, which is probably a lot less interesting than its headline.

In other news, Facebook wants your soul! According to The Guardian, at any rate. Not only are freely handing over your intimate details to the marketing droids, you're handing them over to fascist, neoconservative marketing droids. I do rather take issue with the tone of the article, which has that peculiarly retro note of "online communication cannot possibly be real, computers will doom us all!", but the background details on the politics of the founders are interesting.

New Bowie album. 60s rock covers. Happy.
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Hmmm. Apparently even spammers take Christmas off. No-one has offered to enlarge my penis in days.

While on the subject of wild androgyny: David Bowie. I promise I'll only do this once and then shut up about it. ExpandAnalysis Follows, Enter Ye Who Dare )
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So, [livejournal.com profile] wolverine_nun is now a doc (yay!), causing a certain confusion in the ranks of stv's superhero powers of nicknaming. (I've been "The Doc" for years). I do like graduation ceremonies: these days there's a certain sausage machine component to the whole thing, having to shunt nearly 5000 students through in five days, ten ceremonies, but the ritual and emotional aspects get me every time. In a bizarre sort of way grad is akin to some of the pleasures of the SCA - this is public recognition framed in a 1000-year-old idiom, a secular ceremony with religious trappings denuded of all but their emotional symbolism. Grad ceremonies are one of the approximately four thousand random things that infallibly make me cry.

The ceremonies at my Cherished Institution are particularly layered, since this is, after all, the multi-cultural New South Africa, with its own unique take on the rituals of English history. We graduate each student individually, and the whole Oxbridge schtick - academic procession, mace-bearers, the singing of "Gaudeamus Igitur", the formal presentation of the candidates to the Vice-Chancellor to be capped and hooded - is leavened by the administration's cheerful and upfront deconstruction of its significance, coupled with their encouragement of more traditionally African outbreaks of joy at the successful graduation of your own particular grad. So, Oxbridge schtick with shouts, whistles, ululation and, in extreme cases, dancing in the aisles.

The vibe is good, but the weird conglomeration of traditions also serves to highlight the particular social context. Your average ululating parent is probably not the new black rich, but represents the lower class origin of an intelligent student who has quite possibly overcome huge educational and financial disadvantages to be here at all. Graduation is not just a student's individual success, it represents the raising of an entire family in the social stakes, the New South Africa actually, for once, visibly at work down the generations. I grok this. On a level quite apart from my general teacherly satisfaction at all these bright kids who done good, it makes me very happy and not a little weepy.

Of course, today was a bit out of my usual bailiwick, being a science grad and all, but it also warms the cockles of my basically geeky heart to see some of the science paraded here. The honorary doctorate was to someone who basically defined the ocean/atmosphere interrelations in the El Nino effect, and one of the fellowships was awarded to someone doing research in quark flavours. The simple fact of a professor being hauled up and ceremonially accorded medieval dignities for work in quarks labelled up, down, strange, charm and beauty makes me think that, in spite of everything, somewhere, something must be right with the world.

Obligatory postmodern comment, though: the emotional component to this celebration has to work bloody hard to transcend the tendency to relocate meaning into gosh-darned representation rather than the thing itself. The graduands were skewered on camera angles: no less than four photo ops were automatically activated from all four corners of the hall, photos for optional purchase later. This in addition to the cameras and digital cameras of the audience, and in some cases the graduands themselves. These days it ain't real unless it's a media representation. A commercialised media representation. But I think the ululation evades capture.

(Speaking of translocation of meaning into media representation: today's XKCD? Genius.)

Last Night I Dreamed: I was helping [livejournal.com profile] first_fallen to strap things onto the top of her father's truck with acres of rope, when he took off down an incredibly steep hill with us still clinging to the sides of the vehicle. Later, my mother gave me a giant cube of heavily-iced cake.

muscular, hairy men

Saturday, 20 October 2007 08:27 am
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Rugby world cup fever has hit South Africa, which is over-reacting with a sort of incredulous delight to the Boks actually making the final. This is causing me endless amusement: yesterday's Cape Times billboard ("KLAP THEM, OUS!"1) made me giggle for ten minutes, and this morning's shopping trip was enlivened by watching a pedestrian almost lose an eye to a giant South African flag waved out of a passing car by a small boy. Buying birthday presents for my niece, I was held up at the till for five minutes while the harassed father ahead of me expounded the psychology of national sport to the shop owner2.

In fact, national sport is ridiculously emotional, even for me, since large numbers of people united in a common cause is one of the approximately three million things that makes me cry like a girly girl. (That bloody ad with the rugby supporters pushing the continents together gets me every time. And it's for beer. I'm doomed.)

Am resisting the impulse to watch the final this evening, thus revisiting my schooldays (Zim government schools, obligatory to watch the first team games, which is possibly why I have a sneaking fondness for the sport). Now if I was knitting already...

In other news, apparently the new Pratchett is in South African bookstores. Sorry, [livejournal.com profile] schedule5!

Last Night I Dreamed: I was living in a quaint little old-fashioned town, all narrow, twisty streets and cobblestones, on an island off the coast of Britain. [livejournal.com profile] librsa's band was playing (in masks) in the attic of a house on the main street, and I spent considerable time melting down the gold to pay him untraceably, before deciding "stuff it" and simply doing an internet transfer. (All the gold scraps and melting equipment were stored in our old toy cupboard, which was in the next room). Later I ended up chatting to Terry Pratchett, who was working in the house across the street.

1 For Our International Readers: "klap" means hit, slap; "ous" means guys, but with a connotation of cameraderie and macho bonding. (Actual speakers of Afrikaans should feel free to correct my spelling/interpretation here). Both words are transfers from Afrikaans into lower-class South African English. I love the headline because of its possessiveness, the way it positions the newspaper, and by extension the readers, in proprietorial support within an extremely strong and culturally specific notion of community.

2 I have to say: Dem's? wonderful shop! Have acquired the necessary Slinky Malinky tome for further indoctrination of Da Niece, plus orange plastic proto-recorder which I confidently expect will enable Da Niece to drive her parents crazy in short order. Insert auntly "heh!" here.

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One of the media gurus at My Cherished Institution maintains that the tabloid newspapers are the only source of true journalism these days, being has how they actually keep reporters on their staff and expect them to do actual investigative reporting rather than downloading the whole thing from teh Internets. Be that as it may, the person who writes the billboard headlines for the noxious scandalrag The Sun is clearly on some kind of mind-expanding drug lately. You can tell from the exclamation marks. Even fairly straightforward stories are wildly sensationalised:
FLAMES EAT CAPE FAMILY!

And yesterday's gem:
COW FLIES ON EVIL WIND!

I am completely unable to come up with a story which could possibly generate that headline, although I have a sneaking sense of happiness that I should live in a world in which it is possible.

100% more annoying

Thursday, 27 September 2007 11:13 am
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There's been a massive increase in spam from this LJ address over the last few weeks - I must be deleting 10-20 penis enlargement ads on a daily basis. Irritation value aside, this makes me obscurely grateful to be female and thus exempt from the insecurities which presumably give this kind of ad a fractional chance at success. (Although inevitable reflections arise on the kind of size insecurities to which women are prone. It says a lot about our state of contemporary culture that men worry that they're not big enough while women worry about not being small enough. See the Amazing Shrinking Woman! She fully internalises the sense of her own relative unimportance!)

Mostly, however, these ads make me worry for the status of science in our culture. A good half of them brandish subject lines which variously claim that 90% of women prefer a bigger dick! or 93% of women do not mention small penis size, for fear of upsetting their partner! or 85% of women will be 100% more satisfied by your 60% penis enlargement! This is one step further than the kind of wilful statistical misreading so ably pilloried by Language Log: instead of misrepresenting actual studies, often to say exactly the opposite to the statistical claim, these sorry examples of shamelessly unintelligent media exploitation follow the entirely new and original method of simply Making Shit Up. (Absolutely 100% of the women I have ever seen respond to the Size Matters issue firmly state that it doesn't, often while getting a sort of wistful, nostalgic gleam in their eye which suggests fond memories of a particularly memorable employment of technique).

Science, poor abused lady that she is, here takes on the status of a sort of shimmering chimera, what I would, were I being pretentious, call a Baudrillardian simulacrum. It suffices that the mere ideas of science, statistical analysis or actual research exist: the concept somehow legitimates the spurious numbers as if the reality of scientific method actually had anything to do with their generation. Look, these ads say. Shiny, reassuring numbers! Science is out there somewhere! Look how these gleaming percentages back up everything you were ever secretly afraid of anyway! You can trust us, we do Science. Not actual science, but its beguiling image.

Bleah. Also, pshaw and tchah!, and possibly phooey.

Last Night I Dreamed: things mercifully untainted by hallucinatory giant penises, for which I thank Morpheus. Instead, the family home of my high school days was under threat from a sort of creeping line of malevolent influence, which inched its way slowly up the garden leaving dried, charring vegetation in its wake. Panic ensued.

wok!

Thursday, 12 July 2007 09:51 am
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I have a new wok. This makes me happy, but confused: why should it be that stir-fry cooked in a wok, although containing precisely the same ingredients I always use, tastes much better than stir-fry cooked in any other form of pan? (And by "much better", of course I mean "closer to the Platonic ideal that is stir-fry cooked by stv.")

(Somewhere in the mists of time is an extended joke that was wandering around a select portion of my social circle, entailing a punchline about happy herds of wok, grazing the grass. I am totally unable to remember either the origin or the context, although I associate it vaguely with [livejournal.com profile] bumpycat.)

Woks aside, yesterday I read Iain Banks's Dead Air, in an enormous extended gollup while not actually moving from the couch. (a) It's, as usual, very good, and (b) my butt hurts. The book has a fascinating protagonist: a flawed, hyperactive, exhibitionist and occasionally weak and nasty person who's also an idealist of extreme political integrity. The writing style, which is about two thirds fragmented dialogue, works brilliantly to convey the multiplicity and frequent fast-moving confusion of the contemporary world. There was also pleasing serendipity in reading it on the same day as Mark Haddon's The Curious Incident of the Dog in the Night-Time, which if you squint a bit turns out to have a curiously similar theme. Autism is not only a perfectly logical development in response to a world whose complexities are so extreme as to defy anything but the most superficial and momentary assimilation, it's a perfect metaphor for such a world.

cabbages, kings

Tuesday, 5 June 2007 04:59 pm
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yay! someone wrote on Batman Begins. There's hope for second-years. Well, at least they're pinpointing their tutor's obsessions accurately.

Am distressed at various responses to yesterday's link; I really think its issues of bigotry, alienation, exclusion, playfulness and what have you are a lot more complicated than they appear. Will at some stage have to work through an analysis of my personal response to the mad cultural field of baby-production and its creation of in-groups and out-groups, but not now, as (a) I have marking to finish, (b) my brain is fried from it, and (c) my hands are too cold to type properly.

Last batch of marking today. Tomorrow, I shall ritually dedicate myself to the final spasm of book updates. God, I wish my academic willpower was something other than a small, timid, furry creature lurking under a rock somewhere and refusing to emerge when prodded.

gaydar

Thursday, 3 May 2007 04:46 pm
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A Smart Bitches link to a blog describing anti-gay shenanigans at an erotica convention hosted in Texas has sparked a random musing attack. What is it about homosexuality which makes it so utterly anathema to fundamentalist Christianity? It's not just a "thou shalt not", it's a deep-seated, frothing, disproportionate response which suggests that somewhere, something is being very profoundly threatened.
  • I mean, yes, it's us/them othering, a defensive terror against a perceived threat to a particular lifestyle, but surely gay relationships aren't the worst threat to Christian family values? Heterosexual divorce strikes more deeply at those values, as do heterosexual relationships which eschew marriage, because they both partake of and reject the ideal. Reactions against gay marriage make more sense in this context, but it doesn't explain the more general fulminations against homosexuality as a whole.
  • It's not just the "sex is only for procreation" thing, because that should apply equally to non-procreative heterosexual sex, and really it doesn't: a lot of fundamentalist rhetoric only really has a problem with hetero sex when it's convenient to invoke it as a means of controlling women. Uninhibited hetero male sex is frowned at, not frothed at, and in fact is often condoned. The anti-gay thing is on a wholly different level.
  • It also isn't the direct biblical prohibition bit, either, those have always been completely selectively applied in fundamentalist rhetoric. (I know whereof I speak, here. Baptist teenagerhood).
  • Frustrated patriarchalism? My sense is that fundamentalist rhetoric is more directed at gays than lesbians, which is all terribly Victorian (you don't have to worry about the women because they don't enjoy sex anyway), but which also suggests a kind of outrage that actual men should have moved over into Eve's camp of transgression instead of upholding male order.
I dunno. All of the above? still doesn't really explain the profound level of unease. I am at a loss. Also, very tired after the Thursday Vampire Tut and four days of sinus headache. Also, my jaw aches, my throat hurts, my stomach twinges. Woe. Send new body, this one defunct.

Random distraction: animated Bayeux Tapestry. Not just for you SCA geeks, this is beautifully done.

Bunny Threat Level: gah.

poddity

Tuesday, 17 April 2007 02:31 pm
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Random moment of techno-cultural amusement this morning: walking back from my lectures (45 minutes of spirited debate on whether sex is actually real), there were three muscular black students, male, be-ear-ringed and very sharply dressed, leaning against a wall in the sun, heads close together, passing between them the earphones from an IPod, and laughing so hard they nearly fell over. I'd love to know what they were listening to.

Which reminds me. Either there are tricks and techniques to earphones that are beyond my mere mortal ken, or I've been born with deformed and defective ears. I cannot get my wretched IPod earphones to stay put during gym sessions. Any suggestions, short of superglue or nine-inch nails, gratefully received.

Also, happy anniversary to those Old Wedded Folks, jo&stv.

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